The ancient church occupies the highest part of the rocky site. It is very plain externally and shews the marks of many alterations. The cathedral had been twice built in the plain, but was destroyed by the Saracens. This led the Bishop Béranger in 1019 to transfer it to its present securer site within the walls of the castle. The existing structure is of the twelfth century. The masonry is roughly built, partly with herring-bone work, and in some cases the arches of the windows are distinguished with dark-coloured stones. The interior is divided into a nave and two aisles, the tunnel vault of the nave being pointed and strengthened with round transverse ribs. The side aisles are vaulted with a half arch thrown against the walls of the nave like a continuous flying buttress. The vaults next the west end have, however, been reconstructed with cross ribs, a restoration probably of the fourteenth century. The whole of the work is of the simplest character and almost without ornament. [Illustration: FIG. 106. MARBLE GATEWAY, ELNE.] At the east end (Fig. 107) the ancient apse with its circular arcade is visible, rising above the foundations of a larger choir which was begun in the sixteenth century, but still stands unfinished, the works having evidently been interrupted before they had reached the height of 10 feet from the ground. The new choir is designed on the plan of a Northern “chevet” or apsidal east end, with radiating chapels. The campanile is noteworthy as a design of that class of edifices closely imitated from those of Italy. [Illustration: FIG. 107. ELNE CATHEDRAL]