The Architecture of Provence and the RivieraMacGibbon, David
History
The Architecture of Provence and the Riviera
MacGibbon, David
Architecture -- France -- Provence; Architecture -- France -- Riviera
postern, with its movable bridge, double machicolations, loop-holes,
portcullis, and gates. Even within this, the entrance to the castle was
impeded by a sloping and turning passage, furnished with numerous doors,
and rising for twenty-three feet before the level of the courtyard was
reached.
Such defences were almost impregnable, and are a good illustration of
the intricacy of the fortifications adopted at that period. At a later
time such contrivances were found to be a mistake, as they impeded the
movements of the garrison. They proved a weakness rather than a strength
by preventing men from being moved rapidly to a critical point at the
required time. The leading idea, at this period, was to render every
point of the defences independent of the rest. Each tower is, therefore,
a separate fort; the castle and barbican are independent of the city
walls, and could hold out although the town was in the hands of the
enemy; and within the castle there are two independent towers or
donjons, which might still form a refuge for the garrison for some time
after the castle was taken.
The lofty square tower (_see_ Fig. 110), which was crowned with a
_bretêche_, was carried up to a sufficient height to dominate the town
and the whole surrounding country. This structure and some of the
adjoining walls date from the twelfth century. The other buildings on
the north side of the castle are of the time of St Louis. The inner
enceinte of the castle with its towers and gates built by Philippe le
Hardi (the latter part of the thirteenth century) are splendid examples
of the military works of the period.
The walls of the towers surrounding the town are built with solid
masonry in regular courses, with the face left rough. The lower part of
the curtains is pierced with the long loops, sometimes 11 or 12 feet in
length, then in use, and the top was fortified with hoardings or
projecting wooden galleries, from the floor of which the defenders could
drop stones and other missiles on the assailants, so as to keep them off
from the base and prevent mining. All the walls and towers were
furnished with these hoardings. The square holes in which the beams were
inserted for carrying the galleries are still visible both in the outer
and inner walls (Figs. 110-113).
Public-domain text, read in full here on John Shaqi.
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