The Architecture of Provence and the RivieraMacGibbon, David
History
The Architecture of Provence and the Riviera
MacGibbon, David
Architecture -- France -- Provence; Architecture -- France -- Riviera
These early churches were no doubt all of very simple construction, the
only ornaments being the marble columns and carved work which in some
localities were available from Roman buildings. Where these existed the
style adopted naturally followed the Roman forms, but in districts where
they were absent the style gradually passed into the Romanesque, under
the influence of the new elements imported by the Northern invaders. We
have seen how Charlemagne attempted to follow a Roman structure in his
great church at Aix, and that is a distinct indication of the general
tendency. The chief object at this period of transition was to produce
an effective internal design, the exterior being invariably very simple.
In this also the system by which Roman architecture had been developed
continued to be carried out.
When the new political conditions of the different divisions of Europe
had become somewhat settled, these principles were worked out separately
and independently in each country and province, and produced a great
variety of styles, all comprehended under the general title of
Romanesque. They were in reality all derived from ancient Roman
architecture, but by their very variety they indicate the new spirit
which was now beginning to express itself.
As above mentioned the great desideratum in the eleventh century was a
simple form of stone roof. The earlier wooden roof had been found so
liable to destruction by fire, that great efforts were now made to
provide a fire-proof covering.
At San Miniato, near Florence, there still stands a very fine basilica
of the beginning of the eleventh century, which shews one method in
which this was attempted to be done, and which recalls the mode of
construction of the Syrian Churches above referred to.
San Miniato is divided into three long bays in its length by circular
stone arches, springing from clustered piers, thrown across the nave,
each bay being again subdivided by three longitudinal archivolts resting
on simple pillars.
The above great transverse arches do not, as in the Syrian examples,
carry the roof, which is in this instance of wood, and is thus not quite
fireproof; but even if the timbers were destroyed by fire, the three
transverse arches would tend to bind the structure all together, and
prevent further ruin.
[Illustration: FIG. 33. SAN MINIATO.]
In the church of Notre Dame du Pré at Le Mans in the north-west of
France, there is another example of a similar form of roof, constructed
in the middle of the eleventh century.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account