The Architecture of Provence and the RivieraMacGibbon, David
History
The Architecture of Provence and the Riviera
MacGibbon, David
Architecture -- France -- Provence; Architecture -- France -- Riviera
In Provence the system of vaulting generally adopted was of a more
complete character, derived in all probability, as already mentioned,
from the Roman system (as used in the Nymphæum at Nimes), and perhaps
also aided by the examples of the vaulted churches seen by the Crusaders
in Syria. When the revival of the eleventh century took place, the
Provençal churches were usually erected on the basilican plan, which
doubtless was the traditional one. These churches are small, but they
generally embrace a central nave with two side aisles, each terminated
to the eastward with an apse. The roof is almost invariably composed of
a pointed barrel or tunnel vault, with strengthening transverse ribs
springing from the caps of pilasters carried up from the nave piers, as
for instance in St Trophime at Arles.
The side aisles are also arched, each with one half of a pointed vault
thrown against the upper part of the nave wall, so as to abut the
central vault. The roof consists of tiles laid directly on the extrados
of the arches, after the Roman manner, so that there is here nothing
liable to suffer from fire. There is, however, it will be noticed, one
remarkable divergence from the Roman model, in which the vaults and
arches are always round. In Provence they are invariably pointed. This
form of vault, as mentioned by Mérimée, Fergusson, and others, was
adopted, not from choice but as a necessity, or at least a convenience
of construction. The pointed form was found to have several advantages
over the round. It was easier of construction, a matter of great
consequence in those rude times; it exerted less thrust on the side
walls, and was therefore more stable; and it fitted better the slope of
the tiled roof covering.
It is evident that the roof of the side aisles, in order properly to
abut the central vault, had to be carried up to a considerable height.
This height being more than was necessary in the aisles, is sometimes
divided into two storys, the upper one forming a gallery--an arrangement
which was frequently adopted in Lombardy and the Rhineland, and also, as
we have seen, in the Syrian churches above referred to. One great
objection to the Provençal system of vaulting is that the churches are
very dark--a clerestory being obviously impossible consistently with
safety. Numerous expedients were adopted to provide more light, such as
by introducing windows in the gables, and by heightening the side walls
so as to admit of a small clerestory over the roof of the aisles. But
the latter was found to be a very unsafe course, and at the best only
clerestory windows of very small size could be introduced, so that the
long barrel vaults still remained dark and gloomy.
Public-domain text, read in full here on John Shaqi.
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