Every window was wide open, and from both windows and doors streamed a
flood of light, to guide and welcome the guests who came by twos, and
threes, and half dozens to the Hermitage ball. They were not in
full-dress array, for most of the guests were equestrians, or
equestriennes, and brought their finery in the little leathern
band-boxes securely buckled to the saddle-horse. Stealthily the fair
ones dismounted, and stealthily crept along the low piazza, through
the side room, carefully past the pretentious "big room," and up the
stairs, a narrow little wooden concern, each tenderly hugging her
precious band-box.
There were but three rooms below, barring the dining-room which was
cut off by the low piazza. The stairway went up from Mrs. Jackson's
little bedroom into a duplicate guest-chamber above. Two others, as
diminutive, one above and below, were tucked onto these. And this,
with the big room, was the Hermitage. A very unpretentious cabin was
the first Hermitage; the humble and honored roof of Rachel and Andrew
Jackson, the couple standing under the waxen candles in the big room
waiting to receive their guests. The master was resplendent, if
uncomfortable, in his silken stockings, buckles, and powder, and rich
velvet. For, whatever his faults, he was no coxcomb, and the knee
breeches and finery had only been assumed for that one occasion, at
the "special request" of _charity's_ fair committee.
The vest of richly embroidered silk was held at the waist with a
glittering brilliant, and left open to the throat, as if in deference
to the flutes, and frills, and delicate laces of the white shirt
bosom. There was a glitter at the knees where the silver buckles
caught now and then a gleam from the waxen candles dangling from the
low ceiling in a silver and iridescent chandelier, to the imminent
peril of the white roll of powdered hair surmounting the tall
general's forehead. At his side, proud, calm, and queenly in her
womanly dignity and virtue, stood Rachel, the beloved mistress of the
Hermitage. Her dress of stiff and creamy silk could add nothing to the
calm serenity of the soul beaming from the gentle eyes, whose glance,
tender and fond, strayed now and then to the figure of her husband,
and rested for a brief moment upon the strong, gentle face with
something akin to reverence in their shadowy depths. Her face,
beautiful and beneficent, was not without a shadow: a shadow which
grief had set there to mellow, but could not mar, the gentle sweetness
of the patient features.
There was the sound of banjo and fiddle, as one by one the dusky
musicians from the cabins ranged themselves along the wall of the big
room, which had been cleared of its furnishings, and young feet came
hurrying in when the old Virginia reel sounded through, the low
rooms, calling to the dance.
Public-domain text, read in full here on John Shaqi.
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