I have always had an objection to ladies personating Romeo, but I waived that feeling in favor of Miss Cushman. Her personation of Romeo was beautiful and even pathetic. The passionate grief of young Montague in the third act was subdued by a tearful pathos. Nothing could surpass her reading of the character: it was a triumph, and in a word it would be difficult to conceive anything more grand than this impersonation. It is difficult to conceive a character more highly dramatic or more impassioned than that of Lady Macbeth. The conflicts, emotions, and power of the ambitious queen were portrayed with a truth, a grandeur of effect, unequalled since by any actress. Miss Cushman's impersonation of Meg Merriles was one of the finest illustrations of originality the stage ever witnessed. There was no effort to resemble the character. She entered the stage the character itself, transposed into the situation, excited by hope and fear, breathing the life and the spirit of the being she represented. In my opinion, when Charlotte Cushman died, so did Meg Merriles, and it will be many a day before the old gipsy queen will produce that indescribable effect upon an audience, as in the days of Cushman. At the Boston Theatre, June 2, 1858, Miss Cushman as Romeo, her farewell to the stage. At the same theatre, in 1860, another farewell, Miss Cushman as Romeo, who with the aid of Mrs. Barrow as Juliet, John Gilbert as Friar Laurence, and Mrs. John Gilbert as the nurse, made up a very strong cast. Here, at the Howard Athenaeum in 1861, then under the management of that talented actor (who, by the way, was the best Hamlet I ever saw,) Edgar L. Davenport, Miss Cushman was announced April 11, 1861, positively her last night in Boston, when Romeo and Juliet was given with a remarkable cast. E. L. Davenport was the Mercutio, John Gilbert the Friar, John McCullough, Tybalt, Frank Hardenbergh, Prince Esculus, Dan Setchell, Peter, W. J. Le Moyne, Capulet, Miss Josephine Orton (a very brilliant actress, and now the wife of Benj. E. Woolf, of the _Saturday Evening Gazette_), Juliet, Mrs. John Gilbert as the nurse (she had no superior in this role), and Charlotte Cushman as Romeo, truly a fine array of talent, all of whom have passed away with the exception of Miss Orton and Mr. Le Moyne. This was Miss Cushman's last performance of Romeo in Boston. In the spring of 1875, Miss Cushman played another farewell engagement, which proved in truth a reality. It was at the Globe Theatre, and Saturday, May 15, 1875, was announced as Miss Cushman's farewell to the stage. Macbeth was the play, with Miss Cushman as Lady Macbeth. As an event worth remembering, I give the complete cast:--