She displayed the same fine insight when, dinner over, she talked to
Louis of his out-door work--especially the whirl and slide of his water.
"You will forgive a woman, Monsieur Louis, who is old enough to be your
great-grandmother, when she tells you that, fine as your pictures
are--and I know of no painter of our time who paints water as
well--there are some things in the out of doors which I am sure you will
yet put into your canvases. I am a fisherman myself, and have thrashed
many of the brooks you have painted, and there is nothing I love so much
as to peer down into the holes where the little fellows live--way down
among the pebbles and the brown moss and green of the water-plants.
Can't we get this--or do I expect the impossible? But if it could be
done--if the bottom as well as the surface of the water could be
given--would we not uncover a fresh hiding-place of nature, and would
not you--you, Monsieur Louis--be doing the world that much greater
service?--the pleasure being more ours than yours--your reward being the
giving of that pleasure to us. I hope you will all forgive me, but it
has been such an inspiration to meet you all. I get so smothered by the
commonplace that sometimes I gasp for breath, and then I find some oasis
like this and I open wide my soul and drink my fill.
"But enough of all this. Let us have something more amusing. Monsieur
Brierley, won't you go to the spinet and--" Here she sprang from her
chair. "Oh, I forgot all about it, and I put it in my pocket on purpose.
Please some one look in my cloak for a roll of music; none of you I know
have heard it before. It is an old song of Provence that will revive for
you all your memories of the place. Thank you, Monsieur Brierley, and
now lift the lid and I will sing it for you." And then there poured from
her lips a voice so full and rich, with notes so liquid and sympathetic,
that we stood around her in wonder doubting our ears.
Never had we found her so charming nor so bewitching, nor so full of
enchanting surprises.
So uncontrollable were her spirits, always rising to higher flights,
that I began at last to suspect that something outside of the
inspiration of our ready response to her every play of fancy and wit was
accountable for her bewildering mood.
The solution came when the coffee was served and fresh candles lighted
and Leà and Mignon, with a curtsy to the table and a gentle, furtive
good-night to madame, had left the room. Then, quite as if their
departure had started another train of thought, she turned and faced our
landlord.
"What a dear old woman is Leà, Lemois," she began in casual tones, "and
what good care she takes of that pretty child; she is mother and sister
and guardian to her. But she cannot be everything. There is always some
other yearning in a young girl's heart which no woman can satisfy. You
know that as well as I do. And this is why you are going to give Mignon
to young Gaston. Is it not true?" she added in dissembling tones.
Public-domain text, read in full here on John Shaqi.
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