Why the distinguished Madame la Marquise de la Caux--to say nothing of
Lemois and the equally distinguished sculptors, painters, and authors,
some of whom were well known to them by reputation--should make all this
fuss about a simple little serving-maid who had brought them their
coffee--a waif, really, picked from between the cobbles--one like a
dozen others the village over, except for her beauty--was a question no
one of them had been able to answer. Was it a whim of the great
lady?--for it was well known she had made the match--or was there
something else behind it all? (a mystery, by the way, which they are
still trying to solve; disinterested kindness being the most
incomprehensible thing in the world to some people). The notary was
particularly outspoken in his opinion. He even criticised the great
woman herself from behind his hand to the apothecary, whose upper room
he occupied. "Been much better if these people of high degree had stayed
at home and let the two young people enjoy themselves in their own way.
Great mistake mixing the classes." But, then, the notary is the
mouth-piece of the revolutionary party in the village and hates the
aristocracy as a singed cat does the fire.
Soon there came a shout from the gallery over our heads, and we all
looked up. Leà, her wrinkled face aglow with that same inner light, the
rays struggling through her rusty skin, craned her head over the rail.
Then came Mignon, madame close behind, pushing her veil aside so we
could all see her face--the girl blushing scarlet, but too happy to do
more than laugh and bow and make little dumb nods with her head, hiding
her face as best she could behind Leà's angular shoulders.
"Yes, we are all ready, and are coming down the back stairs, and will
meet you at the gate," cried madame when she had released the girl--"and
it's time to start."
Mignon's passage along the corridor, followed by madame and Leà and
Gaston's old mother, roused a murmur of welcome which swelled into an
outburst of joyous enthusiasm as her feet touched the level of the
court, and continued until she had joined Gaston and the others already
formed in line for the march to the church.
And a wonderful procession it was!
First, of course, came the mayor--his worthy spouse on his left. "The
State before the Church," madame la marquise remarked with a sly
twinkle, "and quite as it should be," rabid anti-clerical as she was.
Close behind stepped Lemois in a frock-coat buttoned to his chin, his
grave, thoughtful face framed in a high collar and black cravat--like an
old diplomat at a court function--Mignon on his arm: Such a pretty,
shrinking, timid Mignon, her lashes lifting and settling as if afraid to
raise her eyes lest some one should find a chink through which they
could peep into her heart.
Next came Louis escorting dear old Leà!
Public-domain text, read in full here on John Shaqi.
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