This suit cost £14 2s. 8d., and when it was delivered Verney was by no means pleased, as it did not fit.[87] A clear proof that armour was tested before it was finished is to be found on the suit made by Garbagnus of Brescia for Louis XIV of France, now in the Musée d’Artillerie (G, 125). M. Buttin[88] in noticing this suit describes it as “La magnifique armure offerte à Louis XLV par la République de Venise,” but in this we must certainly hold a different opinion, for the production, although elaborately engraved, is perhaps the best example of the decadence of the craft of the armourer, so graceless and clumsy are its lines and proportions. The proof mark is upon the left of the breastplate, at the point where the lower edge of the pauldron ends. It has been made the centre of a double-petalled rose, showing plainly that the bullet mark was there before the engraver began his work. A similar mark at the back is made the centre of a flower (Fig. 35). The document relating to the “proof mark” of the Armourers’ Company of London will be found in Appendix K. [Illustration: FIG. 35. Detail showing proof mark on breast of suit of Louis XIV, Mus. d’Art, Paris, G, 125.] Gaya in his _Traité des Armes_, 1678, referred to above, states on page 53 that the casque and front of the cuirass should be of musket proof, but the other parts need only be of pistol or carbine proof. In speaking of head-pieces he states, on the same page, that the heavier kinds were proved with musket-shot, but the light varieties were only tested with “estramaçon” or sword-cut; and he adds that for armour to be good it must be beaten and worked cold and not hot. We have seen how armour was proved and how the proof mark of crossbow-bolt or bullet is often found as a witness to the fact. In addition to this we frequently find the mark or poinçon of the armourer, which invariably means that the piece is of good workmanship and worthy of notice.