The army behind the armyPowell, E. Alexander (Edward Alexander)
History
The army behind the army
Powell, E. Alexander (Edward Alexander)
United States. Army; World War, 1914-1918 -- United States
Another picturesque phase of aerial photography of which the public was
permitted to know next to nothing was the so-called “gun camera,” the
invention of Thornton Pickard, of Altringham, England. This camera,
which was designed for the purpose of training aerial gunners, imitated
as closely as possible a Marlin aircraft machine-gun, and in order to
make a picture it was necessary for the operator to go through the same
movements as in firing a Marlin gun. The picture was made through a
circular graticule synchronized with the sight on the fixed machine-gun,
so if the film, upon being developed, showed that the gunner had scored
a “hit” with the camera, he would have been equally successful with an
actual machine-gun. The gun cameras as developed in the United States
were of two kinds: one, using a regular Brownie film, took one picture
each time the trigger was pulled; the other, which was virtually a
motion-picture camera so constructed as to exactly replace the magazine
on a Lewis gun, gave a “burst” of exposure with a rapidity equalling
that of a machine-gun firing a burst of shots, and was used for training
aviators in the handling of their flexibly mounted Lewis guns. The
resulting film, or bromide print, consisted of a string of silhouettes
of the supposed enemy plane, each with an image of the gun-sights
superimposed to show where the gun was held, with reference to the
target, at the instant the picture was taken.
The enormous numbers of pictures taken from the skies necessitated a
corresponding development and manufacture of travelling dark rooms,
seventy-five complete units of these machines being built and shipped
overseas. These consisted of mobile photo laboratories, having all the
equipment necessary for the rapid production of prints in the field,
for when important operations are in progress it is imperative that the
aero photographs reach the staff at the earliest possible moment after
they are taken. The dark rooms, which were mounted on trucks, were
equipped with apparatus for generating the current used in the lamps
and enlargers, while trailers were fitted with sinks, tanks, enlarging
cameras, and other necessary photographic apparatus. The fact should not
be overlooked, moreover, that provision had to be made for training the
vast and for the most part inexperienced personnel of the photographic
sections in the countless new and peculiar phases of taking pictures from
the skies.
Public-domain text, read in full here on John Shaqi.
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