The Army Mule, and Other War SketchesCastle, Henry A. (Henry Anson)
History
The Army Mule, and Other War Sketches
Castle, Henry A. (Henry Anson)
United States -- History -- Civil War, 1861-1865; United States. Army -- Military life
One morning James Whitcomb Riley dug up from the pile of recent books
Bill Nye's post-humorous work, "A Guest at the Ludlow and Other
Stories." It was not the first time he had seen it. Indeed; he has
given more care and attention to the bringing out of this last work of
his dead friend than he usually does to the mechanical and business
details of his own books, and he had read and reread everything in it
before it was given to the public. Yet he spent nearly an hour in
loving examination of the volume, reading again with thorough
enjoyment a number of the sketches.
The friendship that existed between the poet and the gentle humorist
was one of those remarkable bonds of sympathy that few men are
fortunate enough to find in life, and those who do seldom find it more
than once. The same keen sense of the ridiculous, the same shyness of
humor in conversation, the same gentleness of spirit and the same
tender anxiety to lighten each other's cares, welded this bond of
sympathy that lasted to the death of the one and will remain through
life a happy memory to the other.
"These stories are more like him than any he ever published while
alive," said Mr. Riley, sauntering over to the desk of the literary
editor and exhibiting the volume. "They breathe the spirit of Nye in
almost every line. Just listen to this." And in his inimitable way he
read an extract from the volume.
"The quaintness and whimsicality of Mr. Nye's humor," said Mr. Riley,
as he closed the little volume gently and held it in his lap, "was the
notable thing about him. It was unaccountable upon any particular
theory. It just seemed natural for his mind to work at that gait. He
recognized the matter-of-fact view others took of the general
propositions of life, and sympathized with it, but he did so with a
native tendency to surprise and astound that ordinary state of mind
and vision. He could say a ridiculous thing or perpetuate a ridiculous
act with a face like a Sphinx, knowing full well that those who saw or
heard would look to his face for some confirmation of their suspicion
that it was time to laugh. They had to make up their minds about it
unaided by him, however, for they never found any trace of levity in
his countenance. As he would say, he did his laughing 'elsewhere.'
Public-domain text, read in full here on John Shaqi.
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