The Army Mule, and Other War SketchesCastle, Henry A. (Henry Anson)
History
The Army Mule, and Other War Sketches
Castle, Henry A. (Henry Anson)
United States -- History -- Civil War, 1861-1865; United States. Army -- Military life
Explosions often result from suddenly injecting thought into a vacant
mind. Some syllogisms are fallacious as a decoy watermelon stuffed
with paris green. The imagination may roam uncurbed through infinite
realms, but reason is horizoned by an adjacent pale over which it can
neither leap nor soar. Beyond this boundary philosophy can not direct
man's tottering steps; further his unblazed path will lead into the
vagaries and discords and peopled torments of lunacy, unless he
permits faith to begin where reason ends. When a venerable pundit,
formulating huge installments of lexicography, assures you that he
knows it all, be careful where you repeat the statement. Tell it not
in Gath; tell it to the marines--but break it gently, cautiously, or
by the beard of the prophet you will find small credence.
Necessary as it has been, dominant as it has been, military talent is,
after all, one of the lower forms of genius. It is not conversant with
the highest or the richest intellectual pursuits. It may exist to
perfection deficient in profound and liberal thinking, in imagination
and taste, in the noblest energies and inspirations of life.
Hugo says that at Waterloo each square was a volcano attacked by a
thunder-cloud; the lava fought with the lightning. Their employment
demands none of the finer fibers of intellect or loftier aspirations
of the soul. Even the "business" statesman of well recognized
shrewdness and well advertised piety, entrusted with cabinet
portfolios on the theory that public office is a private usufruct, is
likely to tread the higher realms of intelligence with more certain
footsteps than the Wellingtons or Jubal Earlys of bellicose
notability. And Susan B. Anthony insists to this day that the little
affair between her younger brother Mark Antony and Cleopatra has been
grossly exaggerated for base political purposes.
Parade differs from review as camp differs from campaign. The one is
solemnity, the other is vivacity. Positive parade, comparative review,
superlative battle, are the three degrees of comparison in war's
activities. They are respectively tableau, melodrama and tragedy of
systematic warfare. As ivory must germinate in the elephant's trunk
before poker chips can materialize, so parade and review must antedate
the battle agony.
Parade discloses the proficiency of a command in decorum, alignment
and manual of arms. Review and inspection test its skill in evolution,
as well as in equipment, accoutrement, care of weapons and general
efficiency. Battle brings out all the qualities which drills, parades,
reviews and inspections have developed or exhibited. During parades
and reviews the officers come to the front; in battle they go to the
rear. This accounts for the seeming mystery that so many still survive
to tell the tale, and to tell it in such bewildering variety.
Public-domain text, read in full here on John Shaqi.
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