The Army Mule, and Other War SketchesCastle, Henry A. (Henry Anson)
History
The Army Mule, and Other War Sketches
Castle, Henry A. (Henry Anson)
United States -- History -- Civil War, 1861-1865; United States. Army -- Military life
He is one of those lingering men whose minds go off with a wet fuse.
Like one dazed, he gazes amazed; and a gaze at him is worth the whole
cost of admission. He wears a little bunch of whiskers on his chin,
and his nose has the rising inflection. His warlike air and attitude
are prophecies of the day when Greece shall give Turkey a basting. He
poses statuesque, with folded arms, head aslant, one hip elevated and
both legs trembling. His make-up rivals that of a special Chinese
envoy with the yellowest of jackets and peacockiest of tails. He
carries a frown over the bridge of his nose that portends deep
concealment of valuable information as to his own consequence, unknown
to the world at large. That frown, however, is only borrowed for the
occasion; at heart he is humble as the Chicago aristocrat who has
squandered the price of a car of pork in the purchase of a bogus
Venus. He poses, with arms folded _a la_ Bonaparte over his Napoleonic
stomach. He poses like the last erect relic of a forest, colossal,
leafless, lifeless and sublime. He looks proud as the weary mechanic
greeted on his front porch at eve by a shining galaxy of posterity. He
has a right to be proud; he is the colonel. Bring forth the royal
diadem and make him a present of it.
Meanwhile the adjutant is not idle. Far otherwise. His duties are
complicated as the new quadruplex telegraphic system for the
transmission of string-fiend fakes. He imitates the gyrations of a
cyclone funnel in his delirious attempts to frame one geometric
tangent out of ten miscellaneous arcs, with unassimilable _radii_. His
processes resemble a lurid, revolving nightmare of St. Valentine's day
in the morning. He foams and fumes; he shouts and signals; he
gesticulates; he genuflects; he perambulates. He pleads for correct
formation as pallid Maryland corn fields plead for rain and
fertilizers. His voice is softened by the sweet, feathery fluff on
his upper lip, but it reaches far. His perplexities equal those of the
man who went down from Jerusalem to Jericho and fell among hotel
runners. But as in the cruel abattoir the fated bullock glances at the
sticker's cold, callous, calculating eye and bows to the inevitable,
so the willing, though awkward, soldiery yield at last to the
adjutant's persistent insistence. He finally establishes a distant
resemblance to the shortest space between two given markers. The
markers introvert their marks and fall into desuetude--and the mummery
is duly inaugurated.
Public-domain text, read in full here on John Shaqi.
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