The Arrow of Gold: A Story Between Two NotesConrad, Joseph
General
The Arrow of Gold: A Story Between Two Notes
Conrad, Joseph
Adventure stories; Illegal arms transfers -- Fiction; Marseille (France) -- Fiction; Sea stories; Young men -- Fiction
I had blushed with pleasure; such fine ideas had never entered my head.
But there was something fine. . . . How far all this seemed! How mute
and how still! What a phantom he was, that man with a beard of at least
seven tones of brown. And those shades of the other kind such as
Baptiste with the shaven diplomatic face, the _maître d’hôtel_ in charge
of the _petit salon_, taking my hat and stick from me with a deferential
remark: “Monsieur is not very often seen nowadays.” And those other
well-groomed heads raised and nodding at my passage—“_Bonjour_.”
“_Bonjour_”—following me with interested eyes; these young X.s and Z.s,
low-toned, markedly discreet, lounging up to my table on their way out
with murmurs: “Are you well?”—“Will one see you anywhere this
evening?”—not from curiosity, God forbid, but just from friendliness; and
passing on almost without waiting for an answer. What had I to do with
them, this elegant dust, these moulds of provincial fashion?
I also often lunched with Doña Rita without invitation. But that was now
unthinkable. What had I to do with a woman who allowed somebody else to
make her cry and then with an amazing lack of good feeling did her
offensive weeping on my shoulder? Obviously I could have nothing to do
with her. My five minutes’ meditation in the middle of the bedroom came
to an end without even a sigh. The dead don’t sigh, and for all
practical purposes I was that, except for the final consummation, the
growing cold, the _rigor mortis_—that blessed state! With measured steps
I crossed the landing to my sitting-room.
CHAPTER II
The windows of that room gave out on the street of the Consuls which as
usual was silent. And the house itself below me and above me was
soundless, perfectly still. In general the house was quiet, dumbly
quiet, without resonances of any sort, something like what one would
imagine the interior of a convent would be. I suppose it was very
solidly built. Yet that morning I missed in the stillness that feeling
of security and peace which ought to have been associated with it. It
is, I believe, generally admitted that the dead are glad to be at rest.
But I wasn’t at rest. What was wrong with that silence? There was
something incongruous in that peace. What was it that had got into that
stillness? Suddenly I remembered: the mother of Captain Blunt.
Why had she come all the way from Paris? And why should I bother my head
about it? H’m—the Blunt atmosphere, the reinforced Blunt vibration
stealing through the walls, through the thick walls and the almost more
solid stillness. Nothing to me, of course—the movements of Mme. Blunt,
_mère_. It was maternal affection which had brought her south by either
the evening or morning Rapide, to take anxious stock of the ravages of
that insomnia. Very good thing, insomnia, for a cavalry officer
perpetually on outpost duty, a real godsend, so to speak; but on leave a
truly devilish condition to be in.
Public-domain text, read in full here on John Shaqi.
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