The Arrow of Gold: A Story Between Two NotesConrad, Joseph
General
The Arrow of Gold: A Story Between Two Notes
Conrad, Joseph
Adventure stories; Illegal arms transfers -- Fiction; Marseille (France) -- Fiction; Sea stories; Young men -- Fiction
“I suppose our Rita does tell people awful lies about her poor sister.”
She sighed deeply (she had several kinds of sighs and this was the
hopeless kind) and added reflectively, “Sin on sin, wickedness on
wickedness! And the longer she lives the worse it will be. It would be
better for our Rita to be dead.”
I told “Mademoiselle Therese” that it was really impossible to tell
whether she was more stupid or atrocious; but I wasn’t really very much
shocked. These outbursts did not signify anything in Therese. One got
used to them. They were merely the expression of her rapacity and her
righteousness; so that our conversation ended by my asking her whether
she had any dinner ready for me that evening.
“What’s the good of getting you anything to eat, my dear young Monsieur,”
she quizzed me tenderly. “You just only peck like a little bird. Much
better let me save the money for you.” It will show the
super-terrestrial nature of my misery when I say that I was quite
surprised at Therese’s view of my appetite. Perhaps she was right. I
certainly did not know. I stared hard at her and in the end she admitted
that the dinner was in fact ready that very moment.
The new young gentleman within Therese’s horizon didn’t surprise me very
much. Villarel would travel with some sort of suite, a couple of
secretaries at least. I had heard enough of Carlist headquarters to know
that the man had been (very likely was still) Captain General of the
Royal Bodyguard and was a person of great political (and domestic)
influence at Court. The card was, under its social form, a mere command
to present myself before the grandee. No Royalist devoted by conviction,
as I must have appeared to him, could have mistaken the meaning. I put
the card in my pocket and after dining or not dining—I really don’t
remember—spent the evening smoking in the studio, pursuing thoughts of
tenderness and grief, visions exalting and cruel. From time to time I
looked at the dummy. I even got up once from the couch on which I had
been writhing like a worm and walked towards it as if to touch it, but
refrained, not from sudden shame but from sheer despair. By and by
Therese drifted in. It was then late and, I imagine, she was on her way
to bed. She looked the picture of cheerful, rustic innocence and started
propounding to me a conundrum which began with the words:
“If our Rita were to die before long . . .”
She didn’t get any further because I had jumped up and frightened her by
shouting: “Is she ill? What has happened? Have you had a letter?”
Public-domain text, read in full here on John Shaqi.
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