The Arrow of Gold: A Story Between Two NotesConrad, Joseph
General
The Arrow of Gold: A Story Between Two Notes
Conrad, Joseph
Adventure stories; Illegal arms transfers -- Fiction; Marseille (France) -- Fiction; Sea stories; Young men -- Fiction
“It’s a beautifully simple view,” I said. “I imagine you are not the
only one who holds it; but I really must look after your comforts. You
mustn’t forget that we have to see Baron H. early to-morrow morning.”
And I went out quietly into the passage wondering in what part of the
house Therese had elected to sleep that night. But, lo and behold, when
I got to the foot of the stairs there was Therese coming down from the
upper regions in her nightgown, like a sleep-walker. However, it wasn’t
that, because, before I could exclaim, she vanished off the first floor
landing like a streak of white mist and without the slightest sound. Her
attire made it perfectly clear that she could not have heard us coming
in. In fact, she must have been certain that the house was empty,
because she was as well aware as myself that the Italian girls after
their work at the opera were going to a masked ball to dance for their
own amusement, attended of course by their conscientious father. But
what thought, need, or sudden impulse had driven Therese out of bed like
this was something I couldn’t conceive.
I didn’t call out after her. I felt sure that she would return. I went
up slowly to the first floor and met her coming down again, this time
carrying a lighted candle. She had managed to make herself presentable
in an extraordinarily short time.
“Oh, my dear young Monsieur, you have given me a fright.”
“Yes. And I nearly fainted, too,” I said. “You looked perfectly awful.
What’s the matter with you? Are you ill?”
She had lighted by then the gas on the landing and I must say that I had
never seen exactly that manner of face on her before. She wriggled,
confused and shifty-eyed, before me; but I ascribed this behaviour to her
shocked modesty and without troubling myself any more about her feelings
I informed her that there was a Carlist downstairs who must be put up for
the night. Most unexpectedly she betrayed a ridiculous consternation,
but only for a moment. Then she assumed at once that I would give him
hospitality upstairs where there was a camp-bedstead in my dressing-room.
I said:
“No. Give him a shake-down in the studio, where he is now. It’s warm in
there. And remember! I charge you strictly not to let him know that I
sleep in this house. In fact, I don’t know myself that I will; I have
certain matters to attend to this very night. You will also have to
serve him his coffee in the morning. I will take him away before ten
o’clock.”
All this seemed to impress her more than I had expected. As usual when
she felt curious, or in some other way excited, she assumed a saintly,
detached expression, and asked:
“The dear gentleman is your friend, I suppose?”
“I only know he is a Spaniard and a Carlist,” I said: “and that ought to
be enough for you.”
Public-domain text, read in full here on John Shaqi.
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