The Arrow of Gold: A Story Between Two NotesConrad, Joseph
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The Arrow of Gold: A Story Between Two Notes
Conrad, Joseph
Adventure stories; Illegal arms transfers -- Fiction; Marseille (France) -- Fiction; Sea stories; Young men -- Fiction
For a minute we could have had the illusion that he had stolen away,
unheard, on the thick mats. But I don’t think that either of us was
deceived. The voice returned, stammering words without connection,
pausing and faltering, till suddenly steadied it soared into impassioned
entreaty, sank to low, harsh tones, voluble, lofty sometimes and
sometimes abject. When it paused it left us looking profoundly at each
other.
“It’s almost comic,” I whispered.
“Yes. One could laugh,” she assented, with a sort of sinister
conviction. Never had I seen her look exactly like that, for an instant
another, an incredible Rita! “Haven’t I laughed at him innumerable
times?” she added in a sombre whisper.
He was muttering to himself out there, and unexpectedly shouted: “What?”
as though he had fancied he had heard something. He waited a while
before he started up again with a loud: “Speak up, Queen of the goats,
with your goat tricks. . .” All was still for a time, then came a most
awful bang on the door. He must have stepped back a pace to hurl himself
bodily against the panels. The whole house seemed to shake. He repeated
that performance once more, and then varied it by a prolonged drumming
with his fists. It _was_ comic. But I felt myself struggling mentally
with an invading gloom as though I were no longer sure of myself.
“Take me out,” whispered Doña Rita feverishly, “take me out of this house
before it is too late.”
“You will have to stand it,” I answered.
“So be it; but then you must go away yourself. Go now, before it is too
late.”
I didn’t condescend to answer this. The drumming on the panels stopped
and the absurd thunder of it died out in the house. I don’t know why
precisely then I had the acute vision of the red mouth of José Ortega
wriggling with rage between his funny whiskers. He began afresh but in a
tired tone:
“Do you expect a fellow to forget your tricks, you wicked little devil?
Haven’t you ever seen me dodging about to get a sight of you amongst
those pretty gentlemen, on horseback, like a princess, with pure cheeks
like a carved saint? I wonder I didn’t throw stones at you, I wonder I
didn’t run after you shouting the tale—curse my timidity! But I daresay
they knew as much as I did. More. All the new tricks—if that were
possible.”
Public-domain text, read in full here on John Shaqi.
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