The Arrow of Gold: A Story Between Two NotesConrad, Joseph
General
The Arrow of Gold: A Story Between Two Notes
Conrad, Joseph
Adventure stories; Illegal arms transfers -- Fiction; Marseille (France) -- Fiction; Sea stories; Young men -- Fiction
That of course was not my name. It served me then as it will serve for
this story. In all sorts of strange places I was alluded to as “that
young gentleman they call Monsieur George.” Orders came from “Monsieur
George” to men who nodded knowingly. Events pivoted about “Monsieur
George.” I haven’t the slightest doubt that in the dark and tortuous
streets of the old Town there were fingers pointed at my back: there goes
“Monsieur George.” I had been introduced discreetly to several
considerable persons as “Monsieur George.” I had learned to answer to
the name quite naturally; and to simplify matters I was also “Monsieur
George” in the street of the Consuls and in the Villa on the Prado. I
verily believe that at that time I had the feeling that the name of
George really belonged to me. I waited for what the girl had to say. I
had to wait some time, though during that silence she gave no sign of
distress or agitation. It was for her obviously a moment of reflection.
Her lips were compressed a little in a characteristic, capable manner. I
looked at her with a friendliness I really felt towards her slight,
unattractive, and dependable person.
“Well,” I said at last, rather amused by this mental hesitation. I never
took it for anything else. I was sure it was not distrust. She
appreciated men and things and events solely in relation to Doña Rita’s
welfare and safety. And as to that I believed myself above suspicion.
At last she spoke.
“Madame is not happy.” This information was given to me not emotionally
but as it were officially. It hadn’t even a tone of warning. A mere
statement. Without waiting to see the effect she opened the dining-room
door, not to announce my name in the usual way but to go in and shut it
behind her. In that short moment I heard no voices inside. Not a sound
reached me while the door remained shut; but in a few seconds it came
open again and Rose stood aside to let me pass.
Then I heard something: Doña Rita’s voice raised a little on an impatient
note (a very, very rare thing) finishing some phrase of protest with the
words “ . . . Of no consequence.”
I heard them as I would have heard any other words, for she had that kind
of voice which carries a long distance. But the maid’s statement
occupied all my mind. “_Madame n’est pas heureuse_.” It had a dreadful
precision . . . “Not happy . . .” This unhappiness had almost a concrete
form—something resembling a horrid bat. I was tired, excited, and
generally overwrought. My head felt empty. What were the appearances of
unhappiness? I was still naïve enough to associate them with tears,
lamentations, extraordinary attitudes of the body and some sort of facial
distortion, all very dreadful to behold. I didn’t know what I should
see; but in what I did see there was nothing startling, at any rate from
that nursery point of view which apparently I had not yet outgrown.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account