The Arrow of Gold: A Story Between Two NotesConrad, Joseph
General
The Arrow of Gold: A Story Between Two Notes
Conrad, Joseph
Adventure stories; Illegal arms transfers -- Fiction; Marseille (France) -- Fiction; Sea stories; Young men -- Fiction
For a moment Mr. Blunt’s face became as still as a mask and then instead
of an angry it assumed an indulgent expression. As to me I had a rapid
vision of Dominic’s astonishment, awe, and sarcasm which was always as
tolerant as it is possible for sarcasm to be. But what a charming,
gentle, gay, and fearless companion she would have made! I believed in
her fearlessness in any adventure that would interest her. It would be a
new occasion for me, a new viewpoint for that faculty of admiration she
had awakened in me at sight—at first sight—before she opened her
lips—before she ever turned her eyes on me. She would have to wear some
sort of sailor costume, a blue woollen shirt open at the throat. . . .
Dominic’s hooded cloak would envelop her amply, and her face under the
black hood would have a luminous quality, adolescent charm, and an
enigmatic expression. The confined space of the little vessel’s
quarterdeck would lend itself to her cross-legged attitudes, and the blue
sea would balance gently her characteristic immobility that seemed to
hide thoughts as old and profound as itself. As restless, too—perhaps.
But the picture I had in my eye, coloured and simple like an illustration
to a nursery-book tale of two venturesome children’s escapade, was what
fascinated me most. Indeed I felt that we two were like children under
the gaze of a man of the world—who lived by his sword. And I said
recklessly:
“Yes, you ought to come along with us for a trip. You would see a lot of
things for yourself.”
Mr. Blunt’s expression had grown even more indulgent if that were
possible. Yet there was something ineradicably ambiguous about that man.
I did not like the indefinable tone in which he observed:
“You are perfectly reckless in what you say, Doña Rita. It has become a
habit with you of late.”
“While with you reserve is a second nature, Don Juan.”
This was uttered with the gentlest, almost tender, irony. Mr. Blunt
waited a while before he said:
“Certainly. . . . Would you have liked me to be otherwise?”
She extended her hand to him on a sudden impulse.
“Forgive me! I may have been unjust, and you may only have been loyal.
The falseness is not in us. The fault is in life itself, I suppose. I
have been always frank with you.”
“And I obedient,” he said, bowing low over her hand. He turned away,
paused to look at me for some time and finally gave me the correct sort
of nod. But he said nothing and went out, or rather lounged out with his
worldly manner of perfect ease under all conceivable circumstances. With
her head lowered Doña Rita watched him till he actually shut the door
behind him. I was facing her and only heard the door close.
“Don’t stare at me,” were the first words she said.
It was difficult to obey that request. I didn’t know exactly where to
look, while I sat facing her. So I got up, vaguely full of goodwill,
prepared even to move off as far as the window, when she commanded:
“Don’t turn your back on me.”
Public-domain text, read in full here on John Shaqi.
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