The Arrow of Gold: A Story Between Two NotesConrad, Joseph
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The Arrow of Gold: A Story Between Two Notes
Conrad, Joseph
Adventure stories; Illegal arms transfers -- Fiction; Marseille (France) -- Fiction; Sea stories; Young men -- Fiction
Obviously Therese had been very much impressed by a brougham, though she
didn’t know the name for it. Of all the town she knew nothing but the
streets which led to a neighbouring church frequented only by the poorer
classes and the humble quarter around, where she did her marketing.
Besides, she was accustomed to glide along the walls with her eyes cast
down; for her natural boldness would never show itself through that
nun-like mien except when bargaining, if only on a matter of threepence.
Such a turn-out had never been presented to her notice before. The
traffic in the street of the Consuls was mostly pedestrian and far from
fashionable. And anyhow Therese never looked out of the window. She
lurked in the depths of the house like some kind of spider that shuns
attention. She used to dart at one from some dark recesses which I never
explored.
Yet it seemed to me that she exaggerated her raptures for some reason or
other. With her it was very difficult to distinguish between craft and
innocence.
“Do you mean to say,” I asked suspiciously, “that an old lady wants to
hire an apartment here? I hope you told her there was no room, because,
you know, this house is not exactly the thing for venerable old ladies.”
“Don’t make me angry, my dear young Monsieur. I have been to confession
this morning. Aren’t you comfortable? Isn’t the house appointed richly
enough for anybody?”
That girl with a peasant-nun’s face had never seen the inside of a house
other than some half-ruined _caserio_ in her native hills.
I pointed out to her that this was not a matter of splendour or comfort
but of “convenances.” She pricked up her ears at that word which
probably she had never heard before; but with woman’s uncanny intuition I
believe she understood perfectly what I meant. Her air of saintly
patience became so pronounced that with my own poor intuition I perceived
that she was raging at me inwardly. Her weather-tanned complexion,
already affected by her confined life, took on an extraordinary clayey
aspect which reminded me of a strange head painted by El Greco which my
friend Prax had hung on one of his walls and used to rail at; yet not
without a certain respect.
Public-domain text, read in full here on John Shaqi.
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