The Art and Practice of HawkingMichell, E. B. (Edward Blair)
History
The Art and Practice of Hawking
Michell, E. B. (Edward Blair)
Falconry
exceptionally strong ones that they seem unable to get above them, and
give to the stranger an appearance of being slow themselves.
A good and experienced falcon or other rook-hawk will not be content
with merely getting above her quarry before she makes her first stoop.
She will go on ringing until she is so far above that the first stoop
will be a good one. That is to say, that she may be able to get such an
impetus upon her in the dash downwards as to rush up to the rook hand
over hand, or, as the racing men say, as if he were standing still.
And, having so run up to him, that she may, if she misses him, utilise
the remainder of her impetus in shooting up again in preparation for
a second stoop. The rook, on his part, when he finds the falcon above
him, has to choose between two courses. Either he will persevere in
trying to keep the air--and in that case must trust to quick turns and
twists to elude the foe--or he will adopt the less valiant but almost
equally dangerous alternative of a race to the nearest covert, with
the necessity of eluding a certain number of stoops on the way. In
the first case the flight will become a sort of improved version of
coursing. Improved, because a bird has so much more varied chances of
throwing out his pursuer than the hare, which can turn only either to
the right or the left. He must always be on what the mathematicians
call the same plane. The rook, on the other hand, may, if he likes,
double simply to right or left. But he may also, if he prefers it, duck
downwards or shoot upwards, allowing the hawk to pass over him or under
him. Or he may turn partly upwards or downwards, and partly to either
side. Thus there are an unlimited number of angles at which he can
swerve away to avoid the stroke.
Public-domain text, read in full here on John Shaqi.
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