His poems were collected and published in two volumes under the
title: “_Mes Passe-Temps: Chansons, suivies de l’Art de la Danse,
poème en quatre chants, calqué sur l’Art Poétique de Boileau
Despréaux._” They were “adorned” with engravings after the design of
Moreau Junior, and the music of the songs appears at the end of the
second volume.
The work was published after the Revolution fever had subsided,
in 1806, and perhaps the very strangest comment on the Revolution
is implied in Despréaux’s preface, which calmly opens with the
following: “In 1794 I suggested to a number of friends that we should
meet once or twice a month to dine together, under the condition that
politics should never be mentioned, and that each should bring a song
composed upon a given word. My proposition was taken up; we decided
that the words should be drawn by lot, after being submitted to the
judgment of the gathering, in order to eliminate subjects which might
only present needless difficulties.”
And so the year 1794, being one of the worst of all those red years
of Revolution, this little centre went placidly through it, dining
and wining and rhyming, as if there were nothing worse than a sham
fight raging round the distant horizon. It positively makes one
wonder if there _was_ a French Revolution after all. But no, there
evidently was, for our author had a nice little library, and in the
following year, owing to monetary losses occasioned by the general
_débâcle_, had to sell many of his beloved volumes. Of course he
made song about it--“Ma Bibliothèque, ou Le Cauchemar”--in which he
pictures the spectre of want asking him what he will do, and urging
him to sell his books for food. “Que feras-tu, Despréaux?” the
nightmare questions:
“Ni bois ni vin dans ta cave
De chandelle pas un bout:
Faussement on fait le brave
Lorsque l’on manque de tout!
* * *
Une tartine de beurre
Vaut plus que jadis un bœuf
Dans un mois, à pareille heure
Quel sera le prix d’un œuf?
Par décade mille livres
Ne peuvent payer ton pain
Mon ami, _mange tes livres_
_Pour ne pas mourir de faim_.”
Public-domain text, read in full here on John Shaqi.
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