The production of “Aladdin” by John Hollingshead on December 19th, 1892, called forth tributes of praise for the enterprising and ingenious Manager. The familiar story was well kept to, the situations were telling, and the four changes of scene were effected without once lowering the curtain, while the last, “The Veil of Diamonds,” was amazing. A tableau curtain of glass was introduced, composed of some 75,000 glass facets held together by _twenty-four miles_ of wire, and illuminated by various electric and other lights of different colours, the whole achieving one of the most wonderful effects ever seen on the stage, one not easily forgotten. The cast was a strong one, Signorina Legnani--a finished dancer of the typical Italian school--as the Princess; Mlle. Marie, a charming little dancer and clever mime, as Aladdin; Signorina Pollini, as the Spirit of the Lamp; that fine actor and dancer, Mr. Fred Storey, as the Magician; with good support from Mme. Roffey, Miss Hooten, the Almonti Brothers, and, of course, a wondrous array of beauty among the Alhambra _corps de ballet_. Mr. Bruce Smith had provided artistic scenery; Mr. Howard Russell was the designer of the costumes--as for several of the Alhambra ballets--which were admirably turned out as usual by M. and Mme. Alias; and M. Jacobi had once again surpassed himself in the music, that for the beautiful “chrysanthemum” scene and a waltz in A, in the finale, proving especially popular. Another great success was achieved in the production of “Chicago,” in March, 1893, a lively, up-to-date production, which later ran into a second edition. “Fidelia,” adapted from “Le Violon du Diable,” was a romantic ballet that also went into a second edition. The Alhambra by now had as Business Manager, Mr. Albert A. Gilmer, with Mr. A. G. Ford as Stage Manager, though Signor Casati, as _maître de ballet_, M. G. Jacobi, as conductor and composer of the music, were still continuing in their accustomed spheres. Yet another success achieved under the same able direction was “Don Quixote,” with Mr. Fred Storey as a brilliant exponent of the title-_rôle_, and Signorina Porro as the Dulcinea, La Salmoiraghi as the niece, and Mr. Fred Yarnold, as the Sancho Panza, other parts being well filled by Miss Julia Seale (a handsome and clever dancer and mime long associated with the Alhambra), Mme. Roffey, Miss Hooten and the Almontis.