Of writers, whose works have been immortalized by the muse of melancholy, I am acquainted, in the French language, with Chateaubriand, who has produced occasional passages of this class not to be surpassed; and Lamartine, whose poetry breathes a rich and deep strain of melancholy. Young’s Night Thoughts, Blair’s Grave, and Porteus ‘on Death,’ are celebrated English specimens of this class of poetry. In our country the Thanatopsis of Bryant ranks quite as high as either of the former writers in this walk. Some of the lines are of exquisite beauty, as paintings of the trophies of the tomb. Another age will do justice to many of the thoughts in the Sorotaphion of a young poet, who has written on the remote shores of Red River. The first lines of the inscription on the famous Roman statue of Sleep are the sublimest concentration of melancholy thought: ‘It is better to sleep, than wake; and best of all to be in marble.’ The same may be said of that of the orphan nun, who died in the prime of youth and beauty: ‘I was alone among the living. I am alone here.’ But it is in the book of Job, that poetic images, upon which has been thrown the shade of a sublime melancholy, are set forth, with a power and pathos that leave little more, to succeeding writers in that walk, than to study, combine, and reproduce their features. How perfectly has this author given utterance to the groans of one in utter despondency and bereavement! Here the heart speaks its own language, with a simplicity and truth to make its way to every other heart. These features fix the date of this poem at a period antecedent to the settled art of writing, and plagiarizing the shadow of a shade, more conclusively than volumes of criticism. He copied not; but drank at the fountain; feeling deeply, and expressing what he felt. Note 53, page 150.