The Art of Being Happy: In a Series of Letters from a Father to His Children: with Observations and CommentsDroz, Joseph
Philosophy
The Art of Being Happy: In a Series of Letters from a Father to His Children: with Observations and Comments
Droz, Joseph
Happiness
Then, too, the attendants in the sick room with a look of horror
inspect the extremities of the patient, and petrify bystanders with
the terrible words, ‘he is struck with death,’ as though the grisly
phantom king of the poet’s song had invisibly glided in, and, with
his icy sceptre, given his victim the blow of mortal destiny. Who
knows not that, though there are usually mortal symptoms, which
enable an experienced eye to foresee approaching dissolution,
the term _death-struck_ imports nothing but the weakest vulgar
prejudice, a prejudice under the influence of which millions have
been suffered to expire, that might have been roused! Innumerable
persons, pronounced to be in that situation, have actually
recovered; and no moment, in the ordinary forms of disease, can
with any certainty be pronounced beyond hope and the chances of
aid, but that which succeeds the last sigh. Thus every thought of
the living, and every aspect of the dying, by a wayward ingenuity,
heightens the imagined horror of the event.
Then there are conversations and hymns and funeral odes and
Night Thoughts, which speak of the coldness, silence and eternal
desolation of the grave; as though the unconscious sleeper felt the
chill of the superincumbent clay, the darkness of his narrow house
or this terrible isolation from the living. The pale and peaceful
corpse is contemplated with a look of horror. Two, of stout heart
and tried friendship, abide near the kneaded clod, until the living
are relieved from their ghostly terrors, by its deposition out of
their sight in the narrow house. The family, the children, the
friends alike showing the creeping horror, glide quick and silently
on tiptoe through the apartment, where the sleeper lies. The first
nightfall after the disease is one of peculiar and unmitigated
horror. The family, however disinclined to union before, this
evening unite, with that impress on their countenances, which words
reach not. Now return to their thoughts the nursery tales, the
thrilling narratives of haunted houses and wandering ghosts; and
if the minister comes among them, it is probably to evoke before
their imaginations condemned spirits doomed to eternal sufferings,
quenchless flames, groans without respite, and all the ineffable
and eternal torments, that the clerical vocabulary of centuries has
accumulated.
Public-domain text, read in full here on John Shaqi.
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