The Art of Being Happy: In a Series of Letters from a Father to His Children: with Observations and CommentsDroz, Joseph
Philosophy
The Art of Being Happy: In a Series of Letters from a Father to His Children: with Observations and Comments
Droz, Joseph
Happiness
But I shall be told that opulence has at least this advantage,
that it attracts consideration. There is no doubt that many people
measure the esteem they pay you by the scale of your riches. You
will never persuade them that merit often walks on foot, while
stupidity rides in a carriage.
But will a man esteem himself a philosopher, and take into his
calculation the opinion of such fools as these? In a circle where
opulence puts forth its splendor, when you experience a slight
revulsion of shame in perceiving that the simplicity of your dress
is remarked, ask yourself if you would change your mode of life,
character and talents with those around you? If you feel that you
would not, repress the weakness of wishing incompatible advantages;
and resume the self-respect of an honest man.[21a]
To be satisfied with a moderate fortune is, perhaps, the highest
test and best proof of philosophy. All others seem to me doubtful.
He who can live content on a little, gives a pledge that he would
preserve his probity and courage in the most difficult situations.
He has placed his virtue, repose and happiness as far as possible
above the caprices of his kind, and the vicissitudes of earthly
things.
There are moments when the desire of wealth penetrates even the
retreat of a sage, not with the puerile and dangerous wish to
dazzle with show, but with the hope, dear to a good mind, that
it might become a means of extended usefulness. When imagination
creates her gay visions, we sometimes think of riches, and in our
dreams make an employment of them worthy of envy. What a delightful
field then opens before those who possess riches? They can
encourage the progress of science, and aid in advancing the glory
of letters. How much assistance they can offer to deserving young
people whose first efforts announce happy dispositions, and whose
character, at the same time, little fitted for worldly success,
is a compound of independence and timidity? How much they may
honor themselves in decking the modest retreat of the aged scholar
who has consecrated his life to study, and who has neglected his
personal fortune to enrich the age with inventions of genius! They
have the means of giving a noble impulse to the arts, without
trenching upon their resources. A picture, which perpetuates the
remembrance of a generous or heroic exploit, costs no more than
a group of bacchanalians or debauchees. A career more beautiful
still, is open to opulence. Of how many vices and how many tears it
may dry the source! A rich man, to become happy, has only to wish
to become so. He can not only immortalize his name as the patron of
arts and useful inventions, but, what is better, can deserve the
blessings of the miserable. Such pleasures are durable, and may be
tasted, with unsated relish, after a settled lassitude from the
indulgence of all others.[22]
Public-domain text, read in full here on John Shaqi.
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