The Art of Being Happy: In a Series of Letters from a Father to His Children: with Observations and CommentsDroz, Joseph
Philosophy
The Art of Being Happy: In a Series of Letters from a Father to His Children: with Observations and Comments
Droz, Joseph
Happiness
But there are two kinds of melancholy; or rather, we must not
confound melancholy with gloom. Will the slight tenderness of
sorrow which imparts a new charm to the fugitive pleasures of
existence be inspired by those gloomy books which this age has
attempted to bring into fashion; by those terrific and wild
dreams in which hideous personages enact revolting scenes? Modern
imagination has painted melancholy a tall and unearthly spectre
enveloped in a winding sheet. The real traits of her countenance
are those of innocence occupied in pleasant revery; and at the same
time that tears are in her eyes, a smile dwells on her lips.
It is the resort of a sterile imagination and a cold heart, to
invest even the tomb with borrowed ideas of darkness; to wait for
night in which to visit it; and to torment the fancy to people it
with sinister phantoms. Real sensibility would not require such an
effort to be awakened. It fills my mind with a pleasing sadness to
wander in the church-yard, under the melancholy radiance of the
moon, among monuments of white marble, and hear the night breeze
sigh among the weeping willows. I am deeply affected with, here
and there, a touching inscription.[52] I remember one in which a
father says, that he has had five children, and that here sleeps
the last that remained to him for consolation. In another, a father
and mother announce that their daughter died at seventeen, a victim
of their weak indulgence, and of the extravagant modes of the
time. This sojourn of repose, these words written in the abodes
of silence, which inspire tenderness for those that are no more,
and those whose treasured affection still remembers them, always
penetrate the soul with an emotion not without its charms. In the
view of tombs, we immediately direct our thoughts to an internal
survey of ourselves. I mark out my place among the peaceful
mansions. I imagine the vernal grass and flowers reviving over my
place of rest. My imagination transports me to the days which I
shall not see, and sounds for me the soothing dirge of the adieus
of friendship pronounced over the spot where I am laid.[53]
I generally carry from my sojourn in these our last mansions,
one painful sentiment. I remark that many tombs are raised by
parents for their children; by husbands for their wives; by widows
for their husbands. I observe that there are but few erected by
children for their fathers. Perhaps it is right that love should
ascend in that scale, rather than descend in the other.
Public-domain text, read in full here on John Shaqi.
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