Criticism -- Great Britain; English literature -- History and criticism
Mr. Gosse is at once more grave and more deferential in his treatment of
great authors. One cannot imagine Mr. Saintsbury speaking in a hushed
voice before Shakespeare himself. One can almost hear him saying, "Hullo,
Shakespeare!" To Mr. Gosse, however, literature is an almost sacred
subject. He glows in its presence. He is more lyrical than Mr. Saintsbury,
more imaginative and more eloquent. His short history of English
literature is a book that fills a young head with enthusiasm. He writes as
a servant of the great tradition. He is a Whig, where Mr. Saintsbury is an
heretical old Jacobite. He is, however, saved from a professorial
earnestness by his sharp talent for portraiture. Mr. Gosse's judgments may
or may not last: his portraits certainly will. It is to be hoped that he
will one day write his reminiscences. Such a book would, we feel sure, be
among the great books of portraiture in the history of English literature.
He has already set Patmore and Swinburne before us in comic reality, and
who can forget the grotesque figure of Hans Andersen, sketched in a few
lines though it is, in _Two Visits to Denmark_? It may be replied that Mr.
Gosse has already given us the best of his reminiscences in half a dozen
books of essay and biography. Even so, there were probably many things
which it was not expedient to tell ten or twenty years ago, but which
might well be related for the sake of truth and entertainment to-day. Mr.
Gosse in the past has usually told the truth about authors with the
gentleness of a modern dentist extracting a tooth. He keeps up a steady
conversation of praise while doing the damage. The truth is out before you
know. One becomes suddenly aware that the author has ceased to be as
coldly perfect as a tailor's model, and is a queer-looking creature with a
gap in his jaw. It is possible that the author, were he alive, would feel
furious, as a child sometimes feels with the dentist. None the less, Mr.
Gosse has done him a service. The man who extracts a truth is as much to
be commended as the man who extracts a tooth. It is not the function of
the biographer any more than it is that of a dentist to prettify his
subject. Each is an enemy of decay, a furtherer of life. There is such a
thing as painless biography, but it is the work of quacks. Mr. Gosse is
one of those honest dentists who reassure you by allowing it to hurt you
"just a little."
Public-domain text, read in full here on John Shaqi.
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