Criticism -- Great Britain; English literature -- History and criticism
Mr. W.H. Davies is by now a veteran among the Georgians, and one cannot
easily imagine a presence more welcome in a book of verse. Among poets he
is a bird singing in a hedge. He communicates the same sense of freshness
while he sings. He has also the quick eye of a bird. He is, for all his
fairy music, on the look-out for things that will gratify his appetite. He
looks to the earth rather than the sky, though he is by no means deaf to
the lark that
Raves in his windy heights above a cloud.
At the same time, at his best, he says nothing about his appetite, and
sings in the free spirit of a child at play. His best poems are songs of
innocence. At least, that is the predominant element in them. He warned
the public in a recent book that he is not so innocent as he sounds. But
his genius certainly is. He has written greater poems than any that are
included in the present selection. _Birds_, however, is a beautiful
example of his gift for joy. We need not fear for contemporary poetry
while the hedges contain a poet such as Mr. Davies.
Mr. de la Mare does not sing from a hedge. He is a child of the arts. He
plays an instrument. His music is the music of a lute of which some of the
strings have been broken. It is so extraordinarily sweet, indeed, that one
has to explain him to oneself as the perfect master of an imperfect
instrument. He is at times like Watts's figure of Hope listening to the
faint music of the single string that remains unbroken. There is always
some element of hope, or of some kindred excuse for joy, even in his
deepest melancholy. But it is the joy of a spirit, not of a "super-tramp."
Prospero might have summoned just such a spirit through the air to make
music for him. And Mr. de la Mare's is a spirit perceptible to the ear
rather than to the eye. One need not count him the equal of Campion in
order to feel that he has something of Campion's beautiful genius for
making airs out of words. He has little enough of the Keatsian genius for
choosing the word that has the most meaning for the seeing imagination.
But there is a secret melody in his words that, when once one has
recognized it, one can never forget.
Public-domain text, read in full here on John Shaqi.
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