Criticism -- Great Britain; English literature -- History and criticism
At present everybody is ready to write book-reviews. This is because
nearly everybody believes that they are the easiest kind of thing to
write. People who would shrink from offering to write poems or leading
articles or descriptive sketches of football matches, have an idea that
reviewing books is something with the capacity for which every man is
born, as he is born with the capacity for talking prose. They think it is
as easy as having opinions. It is simply making a few remarks at the end
of a couple of hours spent with a book in an armchair. Many men and
women--novelists, barristers, professors and others--review books in their
spare time, as they look on this as work they can do when their brains are
too tired to do anything which is of genuine importance. A great deal of
book-reviewing is done contemptuously, as though to review books well were
not as difficult as to do anything else well. This is perhaps due in some
measure to the fact that, for the amount of hard work it involves,
book-reviewing is one of the worst-paid branches of journalism. The hero
of Mr. Beresford's new novel, _The Invisible Event_, makes an income of
£250 a year as an outside reviewer, and it is by no means every outside
reviewer who makes as much as that from reviewing alone. It is not that
there is not an immense public which reads book-reviews. Mr. T.P. O'Connor
showed an admirable journalistic instinct when twenty years or so ago he
filled the front page of the _Weekly Sun_ with a long book-review. The
sale of the _Times Literary Supplement_, since it became a separate
publication, is evidence that, for good or bad, many thousands of readers
have acquired the habit of reading criticism of current literature.
Public-domain text, read in full here on John Shaqi.
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