From the standpoint of our present inquiry, what man in his various
types has been in the past is less pertinent than what he is at
present. To begin with, certainly the modern man is not a picturesque
figure. He no longer appeals to the feminine or any eye by virtue of
imposing apparel or accoutrements. Foreign army officers and servants
in livery are almost the only males who have not exchanged plumage for
sober woollens, tweeds, or serges, and the varied resplendent materials
and colors by means of which men used to distinguish themselves from
one another and to negative their evil-doings in the eyes of women have
been discarded. All men but one look alike to any woman, and even that
one is liable to be confounded with the rest of mankind when he is more
than half a block away.
Nor is the homogeneous tendency limited to clothes; it includes
manners, morals, and point of view. The extreme types approximate each
other much more closely than formerly, and apart from criminals and
deliberately evil-minded persons, women have some ground for their
insinuation that we are all pretty much alike. Let it be said that this
effect is in one sense a feather in our caps. The nineteenth-century
Joan of Arc to the contrary notwithstanding, the modern man of the
world is a manifest improvement on his predecessor. He is no longer to
be found under the table after dinner as a social matter of course, and
three-bottles-to-a-guest festivities have ceased to be an aristocratic
function. Though on occasions still he will fumble with the latch-key,
he mounts the stairs very little, if at all, after midnight with the
nonchalance of self-congratulatory sobriety, and all those dire scenes
of woman on the staircase with a lighted candle looking down at her
prostrate lord and master belong to an almost dim past. True it may
be that the man of the world fears God no more than formerly, but he
has learned to have a wholesome dread of Bright’s disease, the insane
asylum, and those varied forms of sudden and premature death which are
included under the reportorial head of heart-failure. Mere brutishness
in its various forms is less apparent. The coarse materialist still
swaggers in public places and impudently puffs a cigar in the face of
modesty, but he serves no longer as a model for envious contemporaries
or an object of hero-worship to the rising generation. Good taste, if
nothing better, has checked man’s tendencies to make a beast of himself
in public or in private.
Public-domain text, read in full here on John Shaqi.
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