The Art of Living in Australia: Together with Three Hundred Australian Cookery Recipes and Accessory Kitchen Information by Mrs. H. WickenMuskett, Philip E.
Science
The Art of Living in Australia: Together with Three Hundred Australian Cookery Recipes and Accessory Kitchen Information by Mrs. H. Wicken
Muskett, Philip E.
Australia -- Social life and customs; Cooking, Australian; Health; Hygiene
There was a valuable pamphlet on Australian wines written by the late
Doctor Bleasdale, of Melbourne, in 1876. It is now out of print, and
regrettedly so, for the worthy Doctor was one of the best connoisseurs
of wine Australia ever had. Mr. L. Bruck, the well-known medical
publisher of Sydney, however, has placed me under considerable
obligation by giving me his own copy, and in the preface therein I note
that the author, in speaking of this very question, remarks:--"I would
here reiterate what I have often stated, namely, that if the cellar
management in the three colonies were equal to the magnificent produce
of the vines, no "country on the earth could surpass, in quality and
variety "of kinds, Victoria, South Australia, and New South Wales."
Then again, Mr. James Smith, of Melbourne, in the course of his
admirable prize essay on Australian wine, which appeared in GREVILLE'S
YEAR BOOK OF AUSTRALIA for 1886, has these observations on this
subject:--"It is, however, in the management of the cellar that one
must look for the most efficient means of securing that uniformity of
quality which I regard as such an important desideratum. If it be not a
science, it is certainly an art requiring special knowledge, training,
and experience, combined, perhaps, with natural aptitude. And it is
precisely in this respect, I fear, that our deficiency in Australia is
greatest.
"In the wine-making countries of Europe the cellarmaster is an expert
who inherits the skill, traditions, methods, and usages of many
generations of men who have adopted and followed the same calling. His
organs of smell and taste have been educated to practise the nicest
discrimination of flavour and odour, and if the vintage of a particular
year differs in quality from that of its predecessor, he knows how, by
a judicious blending of the old with the new, of the highly-coloured
with the pallid, to arrive at that uniformity which is so
indispensable."
The cellar must neither be too damp nor too dry. Any excess of dampness
would rot the casks and give a musty taste to the wine; while, on the
contrary, in too dry a cellar the staves of the casks would shrink and
cause leakage. The cellar is usually kept somewhat dark. The openings
for the admission of air and light should be provided with shutters, so
that the atmosphere and temperature may be under control. The floor of
the cellar should be paved or cemented, be well levelled, and
cleanliness throughout should be strictly and strenuously maintained.
But the following remarks of Signor Bragato as to what a cellar ought
not to be will perhaps be more instructive, and besides they contain a
vast amount of information on the subject. In referring to some
of the cellars he came across during his tour of inspection through one
of the Victorian districts, he writes:--
Public-domain text, read in full here on John Shaqi.
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