The Art of Living in Australia: Together with Three Hundred Australian Cookery Recipes and Accessory Kitchen Information by Mrs. H. WickenMuskett, Philip E.
Science
The Art of Living in Australia: Together with Three Hundred Australian Cookery Recipes and Accessory Kitchen Information by Mrs. H. Wicken
Muskett, Philip E.
Australia -- Social life and customs; Cooking, Australian; Health; Hygiene
"WINE-TASTING PROPERLY SO CALLED.--Wine taken into the front part of
the mouth gives rise to acid, sweet, and styptic tastes at the outer
edges and tip of the tongue. All shades, in harmony, ought to give a
pleasing sensation to the organ, when neither acidity, sweetness, nor
astringency predominates. Next we pass the wine to the posterior part
of the mouth, and delay it there by a kind of gargling. It is now that
we get the smack of the soil, the taste of cask or wood, the insipidity
of salts, or any bitterness. If the whole effect is pleasing to the
back part of the mouth, with the absence of all disagreeable
impressions, we must, to put the finishing touch on the wine-tasting,
not spit it out, but swallow it. As soon as the wine has passed over
the root of the tongue and the soft palate and its pillars, a most
pronounced odour ascends from the pharynx into the nasal cavities, and
gives forth newer and more powerful revelations, AS to the qualities or
defects of the bouquet of wine, than can ever be obtained by the
outward sense of smell. Moreover, the last contact of wine with the
mucous membrane of the pharynx and of the base of the tongue leaves a
lasting impression of taste, and when this sensation is disagreeable it
is designated under the collective name of 'after-taste.'
"GOOD AND BAD WINE JUDGED BY THE SENSES.--If, then, a wine possesses
perfect clearness and freshness of colour, if it has an agreeable
odour, if the combined effect of the acid, sweet, and astringent tastes
is gratifying to the anterior part of the mouth by a fusion, seeming to
form a unique taste like many notes in a complete harmony; if to this
harmonious impression the back part of the mouth adds a feeling of glow
and vinous richness, without alcohol being noticed; and if, at last,
the act of swallowing crowns the whole with a natural bouquet, not
followed by any 'after-taste,' we may pronounce the wine to be good as
judged by the senses. But, on the other hand, the wine is
unsatisfactory if it fail in any of these points. It will be inferior
in proportion as the acids, sugar, and the salts become individually
perceived by the tip of the tongue. Again, it is imperfect when the
chilliness, flatness, the essential oils, the taste of earth and of
cask, and above all, an excess of froe spirit, are manifestly noticed
at the base of that organ. And lastly, it is defective just as the
'ARRIERE BOUQUET' is less pleasant, and the 'after-taste' more
disagreeably prolonged.
Public-domain text, read in full here on John Shaqi.
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