The art of music. Vol. 01 (of 14) : $b The pre-Classic periods
History
The art of music. Vol. 01 (of 14) : $b The pre-Classic periods
Music -- History and criticism; Musicians
But besides these great national festivals, which in all amounted to
two or three annually, there were a great number of local celebrations,
some of which partook of an almost national character by virtue of the
great influx of foreign visitors. The Eleusinian mysteries, primarily
confined to the initiates, also took on the character of a popular
festival by the institution of public contests and pageants, in which,
of course, music played a great part. The Athenians’ annual Panatheneas
in honor of their patron goddess, their harvest festivals, and their
Dionysos festivals; the Spartans’ numerous celebrations and a host of
others, all of which were dedicated to some phase of culture, will
indicate in some measure the tremendous amount of time and attention
which the Greeks gave to the cultivation of the representative arts.
From Polybius, writing in the second century A. D., and taking as his
authority Ephorus, writing two hundred years earlier, we learn that the
Arcadians ordered their State affairs entirely according to music, in
such manner that not only boys, but young men up to the age of thirty
were obliged to cultivate musical study continually. 'From infancy on
their children are accustomed to sing according to rule the hymns and
pæans with which every country district praises its gods and heroes.
Later they learn the melodies of Timotheus and Philoxenos, and annually
perform their choral dances in the theatre to the accompaniment of
Dionysian flutes--the children their children’s dances, and youths the
dances of men. Throughout their whole life they institute performances
in this way, not engaging foreign musicians, but relying upon their own
talents, and relieving each other in turn in the execution of songs.
And while it is not considered a disgrace to plead ignorance in other
fields of knowledge, they consider it reprehensible to decline to
sing. They also practise processions to the accompaniment of flutes,
and annually perform dances which they study together and produce in
the theatres at the common expense.’
Public-domain text, read in full here on John Shaqi.
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