The art of music. Vol. 01 (of 14) : $b The pre-Classic periods
History
The art of music. Vol. 01 (of 14) : $b The pre-Classic periods
Music -- History and criticism; Musicians
While probably there was never any break in the communication between
the churches of the East and those of the West, it is likely that they
developed their liturgical forms more or less independently until about
the middle of the fourth century. Then the floodgates of Oriental
influence seem to have been opened by St. Hilarius and St. Ambrose. The
former, who was bishop of Poitiers, is said to have introduced into
his church the antiphonal and other forms of psalmody then practised
in the churches of Asia, where he had lived in exile for four years
(356-60). He is supposed to have introduced the Syrian hymnody into
the Western Church. '_Hymnorum carmine floruit primus_,’ Isidor of
Seville said of him. He is credited with having been the pioneer of the
metrical style of hymn known as Ambrosian, though the three hymns from
his pen which have been preserved hardly bear out this contention. They
are crude in rhythm and not likely to have served as models for the
cultured Ambrose. From all available evidence one is impelled to award
to St. Ambrose the honor of having first introduced antiphonal psalmody
to the West.[56] Indeed there is little doubt that he was the real
founder of the Latin chant in general. Ecclesiastical songs, as we have
already seen, had already developed, both in the East and in the West,
to something like a formal art; but Ambrose seems to have been the
first to gather together the various elements composing it and lay the
foundations of a strictly ordered liturgy. From Milan the antiphonal
psalmody spread through all the churches of the West. Even Rome,
which until the twelfth century excluded the Ambrosian hymns, adopted
antiphonal psalmody in the time of Pope Celestine I (422-32).[57]
It is to Rome that one must look for the subsequent development
of liturgical song; though until the time of the great schism the
formative influences were more Byzantine than Latin. St. Leo the Great
(440-61) established in the immediate vicinity of the Basilica of St.
Peter a monastic community especially entrusted with the service of the
canonical hours, under the patronage of Saints John and Paul, and this
was followed in the second half of the seventh century by the community
of St. Martin and, under Gregory III (731-41), by that of St. Stephen.
IV
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