The art of music. Vol. 01 (of 14) : $b The pre-Classic periods
History
The art of music. Vol. 01 (of 14) : $b The pre-Classic periods
Music -- History and criticism; Musicians
The first mention of a collection of chants occurs about the year 760
when Pope Paul I sent to King Pepin an Antiphonal and a Responsal.[58]
In the time of Charlemagne there existed a missal and breviary called
Gregorian, as we gather from a letter addressed to the emperor by
Pope Hadrian. This is the earliest mention we find of the Gregorian
tradition, and it is not very enlightening. The first writer to give
us much information about the liturgy is Amalarius, who was deacon of
Metz under Louis the Pious. Aurelian of Réomé (_ca._ 859) classes the
melodies according to the order of the eight ecclesiastical modes,
and Regino, Abbé of Prum, toward the end of the same century gives
us in his _Tonarius_ an extended catalogue of anthems and responses,
accompanied by a neumatic notation. We find again a hazy reference to
Gregory by Walafrid Strabo under Louis the Debonair, and it is only
when we come to the life of St. Gregory, written by John the Deacon
about 882, that we find an explicit and unequivocal ascription of the
existing collection of liturgical chants to that pope.[59]
The scarcity of references to the Gregorian tradition among writers
prior to John the Deacon is curious. Isidor of Seville and the
Venerable Bede, both of whom occupied themselves much with the liturgy,
are silent on the point; so is the _Liber Pontificalis_. Gregory’s
own writings are singularly lacking in references to music. His only
utterance on the subject that has been preserved to us is the decree
of the Synod of 595 in which he condemns the tendency of the priests
to be more preoccupied with the effect of their voices than with the
import of what they sing, and orders that they confine themselves
thenceforth by reciting the Gospel in the celebration of the mass and
leave the singing to sub-deacons and clerics of inferior grade. This
would not of itself imply any great devotion on Gregory’s part to
liturgical music, though the necessity of training clerics of inferior
grade to sing the services might have suggested the founding of the
_Schola Cantorum_ which is traditionally ascribed to him. It is pointed
out by Gevaert that the _Antiphonarius Gregorianus_ does not fit the
ecclesiastical calendar of the time of St. Gregory, but belongs to
the liturgical usage of Rome about the year 750.[60] Duchesne credits
the editing of the Gregorian missal to Pope Hadrian during the first
years of Charlemagne’s reign. The name Gregorian may have reference
to Gregory II (715-31) or, more probably, to Gregory III. It is a
fact that until the end of the seventh or the beginning of the eighth
century the churches did not open on Friday, and it was not allowed to
celebrate mass on that day, because it coincided with the Pagan feast
of Jupiter (_Jovis Dies_). Even as late as the end of the sixth century
the celebration of this festival was so common that it was solemnly
condemned by the Council of Narbonne (589). By the eighth century,
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