The art of music. Vol. 01 (of 14) : $b The pre-Classic periods
History
The art of music. Vol. 01 (of 14) : $b The pre-Classic periods
Music -- History and criticism; Musicians
The stringed instruments are not less numerous. They appear to have
been unknown to the Aztecs, and the Peruvians used only the _tinya_, a
guitar with six strings. But the Chinese had a great number of them,
among which the _kin_, a small lute with seven strings, held a peculiar
place. It was long an object of veneration. Sages alone might venture
to touch its strings; ordinary mortals should be content merely to
regard it in silence with the most profound respect. An elaborate
psaltery or zither called _che_, with twenty-five strings, was much in
use, and there were several bowed instruments in the viol family, of
uncertain ancient descent. The Cambodians, too, have instruments of
the viol family, notably the _tro-khmer_, a three-stringed viol held
like the 'cello when played. The Siamese, Coreans, and Annamites all
use instruments of the guitar and mandolin family with a varying number
of strings. In Burmah the favorite instrument is a queer harp with
thirteen strings called the _soung_. In Japan there are the _koto_,
which is a pleasing-toned zither with thirteen strings; the _samisen_,
a small guitar associated with the Geisha girls, the _buva_, a type
of lute, and the _kokin_, a primitive violin. One finds in India the
_sarindas_ or _sarungis_, viols with sympathetic wire strings; the
_vina_, most generally popular of Hindoo stringed instruments, a sort
of lute with two gourd resonators; and the _tambura_, a long slender
guitar with three or more strings. But of all the stringed instruments
of the Orient _el’ud_ of Arabia is most famous. It is no other in name
or fact than the lute, with broad, pear-shaped body, short neck bent
back at the head, and four or more strings. Introduced by the Moors
into Spain about 800 A. D., it became the favorite instrument of all
Europe, was developed and improved with every care, was beautified
with finest art and workmanship. From Arabia, too, may have come to
Europe the first primitive violins. The Arabian _rebab_ and the Persian
_kemangeh_ are almost identical in principle with our violin. The
Arabian _santirs_ and _kanoons_, zithers with many strings, played
with plectra adjusted like thimbles on the finger-tips, have remained
Oriental.
Wind instruments are common to all races. Flutes and fifes were known
both to the Aztecs and Peruvians, and flutes, flageolets, oboes, horns,
bagpipes, and trumpets are in constant use among the others. With the
Aztecs conch-shells took the place of trumpets of metal. Deserving of
special mention are the Chinese _cheng_, a set of small bamboo pipes
with free reeds, precursor of the modern organ; the Hindoo _tubri_, a
popular form of bagpipe used by the snake charmers of India; and the
Arab _zamr_, a particularly shrill variety of oboe.
Public-domain text, read in full here on John Shaqi.
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