The art of music, Vol. 02 (of 14) : $b Classicism and Romanticism
History
The art of music, Vol. 02 (of 14) : $b Classicism and Romanticism
Music -- History and criticism; Musicians
A special place among his friends should be given to a few whose
appreciation of the master was singularly disinterested and deep.
First among these were the von Breunings, who encouraged his genius,
bore with the peculiar awkwardness and uncouthness of his youth, and
managed, for the most part, to escape his suspicion and anger. It was
in their house at the age of sixteen or seventeen that he literally
first discovered what personal friendship meant; and it was Stephen von
Breuning and his son Gerhart who, with Schindler, waited on him during
his final illness. No others are to be compared with the Breunings; but
more than one showed a capacity for genuine and unselfish devotion.
Nanette Streicher, the daughter of the piano manufacturer, Stein, was
among these. Often in his letters Beethoven declares that he does
not wish to trouble anyone; and yet he complains to this amiable and
capable woman about servants, dusters, spoons, scissors, neckties,
stays, and blames the Austrian government, both for his bad servants
and smoking chimneys. It is evident that she repeatedly helped him
over his difficulties, as did also Baron von Zmeskall, court secretary
and distinguished violoncellist, to whom he applied numberless times
for such things as quills, a looking glass, and the exchanging of a
torn hat, and whom he sent about like an errand boy. Schuppanzigh, the
celebrated violinist and founder of the Rasoumowsky quartet, which
produced for the first time many of the Beethoven compositions, was
a trustworthy and valuable friend. Princes Lichnowsky and Lobkowitz,
Count von Brunswick, the Archbishop Rudolph, Countesses Ertmann,
Erdödy, Therese von Brunswick, and Bettina Brentano (afterward von
Arnim)--the list of titled and fashionable friends is long and all
of them seem to have borne with patience his eccentricities and
delinquencies in a genuine appreciation of his fine character and
genius. Among the few friends who proved faithful to the last, however,
was a young musician, Anton Schindler, who for a time was Beethoven’s
housemate and devoted slave, and became his literary executor and
biographer. Schindler has been the object of much detraction and
censure, but both Grove and Thayer regard him as trustworthy, in
character as well as in intelligence. He had much to bear from his
adored master, who tired of him, treated him with violence and
injustice, and finally banished him from his house. But when Beethoven
returned to Vienna from the ill-fated visit to Johann in 1826, sick
unto death, Schindler resumed his old position as house companion.
Both Schindler and Baron von Zmeskall collected notes, memoranda, and
letters which have been of great service to later biographers of the
composer.
Public-domain text, read in full here on John Shaqi.
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