The art of music, Vol. 02 (of 14) : $b Classicism and Romanticism
History
The art of music, Vol. 02 (of 14) : $b Classicism and Romanticism
Music -- History and criticism; Musicians
To understand the state of affairs we must again go back to the
French Revolution. Germany was at the end of the eighteenth century
more rigidly mediæval than any other European country, save possibly
Russia and parts of Italy. The German patriot Stein thus described
the condition of Mecklenburg in a letter written in 1802: ‘I found
the aspect of the country as cheerless as its misty northern sky;
great estates, much of them in pastures or fallow; an extremely thin
population; the entire laboring class under the yoke of serfage;
stretches of land attached to solitary ill-built farm houses; in
short, a monotony, a dead stillness, spreading over the whole country;
an absence of life and activity that quite overcame my spirits. The
home of the Mecklenburg noble, who weighs like a load on his peasants
instead of improving their condition, gives me the idea of the den of
some wild beast, who devastates everything about him and surrounds
himself with the silence of the grave.’ If Stein was perhaps inclined
to be pessimistic in his effort to arouse German spirits, it is because
he has in his mind’s eye the possibility of better things, and the
actual superiority of conditions in France and England. Most observers
of the time viewed conditions with indifference. Goethe showed little
or no patriotism; ‘Germany is not a nation,’ he said curtly.
After the peace of Lunéville and the Diet of Ratisbon the greater part
of Germany fell under Napoleon’s influence. The German people showed
no concern at thus passing under the control of the French. The German
states were nothing but the petty German courts. Fyffe[78] humorously
describes the process of political reorganization which the territory
underwent in 1801: ‘Scarcely was the Treaty of Lunéville signed when
the whole company of intriguers who had touted at Rastadt posted off
to the French capital with their maps and their money-bags, the keener
for the work when it became known that by common consent the free
cities of the empire were now to be thrown into the spoil. Talleyrand
and his confidant, Mathieu, had no occasion to ask for bribes, or to
maneuver for the position of arbiters in Germany. They were overwhelmed
with importunities. Solemn diplomatists of the old school toiled up
four flights of stairs to the lodging of the needy secretary, or
danced attendance at the parties of the witty minister. They hugged
Talleyrand’s poodle; they played blind-man’s buff and belabored each
other with handkerchiefs to please his little niece. The shrewder of
them fortified their attentions with solid bargains, and made it their
principal care not to be outbidden at the auction. Thus the game was
kept up as long as there was a bishopric or a city in the market.’
Public-domain text, read in full here on John Shaqi.
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