The art of music, Vol. 02 (of 14) : $b Classicism and Romanticism
History
The art of music, Vol. 02 (of 14) : $b Classicism and Romanticism
Music -- History and criticism; Musicians
‘On the 18th of October, 1817,’ says the ever-entertaining Fyffe,
‘the students of Jena, with deputations from all the Protestant
universities of Germany, held a festival at Eisenach, to celebrate
the double anniversary of the Reformation and of the battle of
Leipzig. Five hundred young patriots, among them scholars who had been
decorated for bravery at Waterloo, bound their brows with oak-leaves
and assembled within the venerable hall of Luther’s Wartburg castle,
sang, prayed, preached, and were preached to, dined, drank to German
liberty, the jewel of life, to Dr. Martin Luther, the man of God,
and to the grand duke of Saxe-Weimar; then descended to Eisenach,
fraternized with the _Landsturm_ in the market-place, and attended
divine service in the parish church without mishap. In the evening
they edified the townspeople with gymnastics, which were now the
recognized symbol of German vigor, and lighted a great bonfire on the
hill opposite the castle. Throughout the official part of the ceremony
a reverential spirit prevailed; a few rash words were, however, uttered
against promise-breaking kings, and some of the hardier spirits took
advantage of the bonfire to consign to the flames, in imitation of
Luther’s dealing with the Pope’s Bull, a quantity of what they deemed
un-German and illiberal writings. Among these was Schmalz’s pamphlet
(which attacked the _Tugendbund_ and other liberal German political
institutions of the Napoleonic period). They also burnt a soldier’s
straitjacket, a pigtail, and a corporal’s cane--emblems of the military
brutalism of past times which was now being revived in Westphalia.’
Public-domain text, read in full here on John Shaqi.
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