The art of music, Vol. 02 (of 14) : $b Classicism and Romanticism
History
The art of music, Vol. 02 (of 14) : $b Classicism and Romanticism
Music -- History and criticism; Musicians
Of all the great musicians of history none ever received in his youth
such a broad and sound academic education. In every way he was one of
fortune’s darlings. His life, like that of few other distinguished
men of history (Macaulay alone comes readily to mind), was little
short of ideal. He was born in 1809 in Hamburg, son of a rich Jewish
banker. Early in his life the family formally embraced Christianity,
which removed from the musician the disabilities he would otherwise
have suffered in public life. His family life during his youthful
years in Berlin was that which has always been traditionally
Jewish--affectionate, simple, vigorous, and inspiring--and his
education the best that money could secure. His father cultivated
his talents with greatest care, but he was never allowed to become
a spoiled child or to develop without continual kindly criticism.
He became a pianist of almost the first rank, and was precocious in
composition, steadily developing technical finish and individuality. At
the age of 17, under the inspiration of the reading of Shakespeare with
his sister Fanny, he wrote the ‘Midsummer Night’s Dream’ overture, as
finished and delightful a work as there is in all musical literature.
At twenty he was given money to travel and look about the world for his
future occupation. As a conductor (chiefly of his own works) and, to
a lesser extent, as a pianist he steadily became more famous, until,
in 1835, he was invited to become conductor of the concerts of the
Gewandhaus Orchestra at Leipzig. In this position he rapidly became the
most noted and perhaps the most immediately influential musician in
Europe. From 1840 to 1843 he was connected with Berlin, where Frederick
William IV had commissioned him to organize a musical academy, but in
1843 he did better by organizing the famous Conservatory at Leipzig, of
which he was made director, with Schumann and Moscheles on the teaching
staff. In 1847, after his tenth visit to England, he heard of the death
of his beloved sister Fanny, and shortly afterward died. All Europe
felt his death as a peculiarly personal loss.
Public-domain text, read in full here on John Shaqi.
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