The art of music, Vol. 02 (of 14) : $b Classicism and Romanticism
History
The art of music, Vol. 02 (of 14) : $b Classicism and Romanticism
Music -- History and criticism; Musicians
We have prefaced the last chapter with a review of the political and
literary forces leading up to the classic period. A brief survey
of social conditions may similarly aid the reader in supplying
a background to the important characters of this period and the
circumstances of their careers. First, we shall avail ourselves of
the picturesque account given by George Henry Lewes in his ‘Life
of Goethe.’ ‘Remember,’ he says, ‘that we are in the middle of the
eighteenth century. The French Revolution is as yet only gathering
its forces together; nearly twenty years must elapse before the storm
breaks. The chasm between that time and our own is vast and deep. Every
detail speaks of it. To begin with science--everywhere the torch of
civilization--it is enough to say that chemistry did not then exist.
Abundant materials, indeed, existed, but that which makes a science,
viz., the power of _prevision_ based on _quantitative_ knowledge, was
still absent; and alchemy maintained its place among the conflicting
hypotheses of the day.... This age, so incredulous in religion, was
credulous in science. In spite of all the labors of the encyclopedists,
in spite of all the philosophic and religious “enlightenment,” in
spite of Voltaire and La Mettrie, it was possible for Count St. Germain
and Cagliostro to delude thousands; and Casanova found a dupe in the
Marquise d’Urfé, who believed he could restore her youth and make
the moon impregnate her![36] It was in 1774 that Messmer astonished
Vienna with his marvels of mystic magnetism. The secret societies of
Freemasons and Illuminati, mystic in their ceremonies and chimerical
in their hopes--now in quest of the philosopher’s stone, now in quest
of the perfectibility of mankind--a mixture of religious, political,
and mystical reveries, flourished in all parts of Germany, and in all
circles.
‘With science in so imperfect a condition we are sure to find a
corresponding poverty in material comfort and luxury. High-roads, for
example, were only found in certain parts of Germany; Prussia had no
_chaussée_ till 1787. Mile-stones were unknown, although finger-posts
existed. Instead of facilitating the transit of travellers, it was
thought good political economy to obstruct them, for the longer they
remained the more money they spent in the country. A century earlier
stage coaches were known in England; but in Germany public conveyances
were few and miserable; nothing but open carts with unstuffed seats.
Diligences on springs were unknown before 1800,’ ... and we have the
word of Burney and of Mozart that travel by post was nothing short of
torture![37]
Public-domain text, read in full here on John Shaqi.
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