The art of music, Vol. 04 (of 14) : $b Music in America
History
The art of music, Vol. 04 (of 14) : $b Music in America
Music -- History and criticism; Musicians
In the meantime a gentleman named Ferdinand Palmo was making quite a
reputation as a cook and proprietor of the _Café des Mille Colonnes_
on Broadway, near Duane Street. Mr. Palmo suffered from that ancient
delusion known as 'opera for the people,' and under its influence he
spent the accumulated profits of the _Mille Colonnes_ in remodelling
Stoppani's Arcade Baths, on Chambers Street, into a popular opera
house. There, in 1844, he opened a season of Italian opera with
Bellini's _I Puritani_. Mr. Palmo was certainly determined to give New
Yorkers the best that could be obtained. He had Madame Cinti-Damoreau,
whom Fétis described as one of the greatest singers the world had
known; he had a great tenor in Antognini, whom Richard Grant White
compares as a singer to Ronconi and as an actor to Salvini; he had
a very good soprano in Borghese. In addition he had an orchestra of
'thirty-two professors.' He survived the first season, but in the
middle of the second the 'thirty-two professors' went on strike for
their wages and the sheriff's minions descended on the box office
receipts, the _Mille Colonnes_ and everything else attachable that
Mr. Palmo possessed. The attempt at a democratic opera was a fine and
courageous one, but the time was not ripe for such an effort.[42]
After Palmo's failure his theatre was taken over by a new company which
included among its principal members Salvatore Patti and Catarina
Barili, the parents of Carlotta and Adelina Patti. It had a very brief
existence and in 1848 Palmo's Opera House became Burton's Theatre.
In the meantime, however, New York had been enjoying an assortment
of other operas, presented by various visiting companies. The most
important of these was a French company from New Orleans which, in
1843, presented _La fille du régiment_, _Lucia di Lammermoor_, _Norma_,
and _Gemma di Vergy_--in French, of course. There were also several
English companies, notably the Seguins, who gave opera in English at
the Park Theatre and elsewhere. In 1844 the Seguin company produced
Balfe's 'Bohemian Girl' for the first time in America.
Public-domain text, read in full here on John Shaqi.
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