The art of music, Vol. 04 (of 14) : $b Music in America
History
The art of music, Vol. 04 (of 14) : $b Music in America
Music -- History and criticism; Musicians
There are over twenty German choruses in Milwaukee; in St. Louis
there are probably as many, while in Chicago the number is beyond
count--there are certainly more than one hundred. St. Louis started its
musical life rather early and established a Philharmonic Society in
1838. Seven years later a Polyhymnia Society was formed and about the
same time a Cecilian Society and an Oratorio Society came into being.
A new Philharmonic Society was organized in 1859 and later came the
St. Louis Choral Society. These, of course, leave out of account the
German societies, of which the most prominent are the _Liederkranz_,
the _Socialer Sängerchor_, the _Germania Sängerbund_, the Orpheus, and
the _Schweizer Männerchor_. As early as 1858 Chicago had a Musical
Union devoted to the study of oratorio. During the eight years of
its existence it gave the principal oratorio classics, including the
'Creation,' 'Messiah,' and 'Elijah.' It was succeeded by the Oratorio
Society, which persevered, under the conductorship of Hans Balatka,
until the great fire. After the fire it was revived, but in 1873 its
library and effects were again burned and further attempts to continue
it were unavailing. The summer of 1872 saw the organization of the
Apollo Club, which is to-day the only society of importance in Chicago
devoted to the cultivation of oratorio music. There is also a Chicago
Musical Art Society patterned after the Musical Art Society of New
York and doing similar work. These are the chief agencies for the
cultivation of choral music in Chicago, apart from the multitude of
German societies to which we have already alluded.
San Francisco had an oratorio society, organized by Rudolph Herold, as
early as 1860, and soon afterward a Handel and Haydn Society entered
the field. The fact that these societies received support during
several years of competitive existence speaks well for the state of
musical cultivation in San Francisco at that date. And certainly the
city has not deteriorated musically since then, if we may judge from
the number of choral societies now active there.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account