The art of music, Vol. 04 (of 14) : $b Music in America
History
The art of music, Vol. 04 (of 14) : $b Music in America
Music -- History and criticism; Musicians
Early singing teachers and schools--Music societies in
colleges--Introduction of music in the public schools--The
Germanic influence--Conservatories--Musical courses in
colleges and universities; community music--Present state of
public school music--Municipal music.
There seems to be general agreement among students of American music
that we are entering upon a national era. That we did not attain
this stage long before has generally been laid to the inadequacy of
our educational system in music. A less apparent yet more rational
statement would be that our educational equipment, growing with the
increasing culture of the people and adapting itself to their timely
needs and developing comprehension, was the kind most desirable. A
'mugwump' was defined by General Horace Porter as 'a man educated
beyond his ability.' Had a European system of musical education,
however theoretically ideal, been imposed on young America when
necessarily occupied with material problems, we might now be a nation
of musical mugwumps, smugly satisfied with ourselves, and incapable of
original achievement.
If it be granted, then, that musical culture is conditioned, in kind
and degree, upon the character of the people concerned, then the
colonization of our country becomes a subject of prime importance,
affording, indeed, the best logical method, in conjunction with a
general chronological order, for discussing the present subject.
The various colonies which were planted on our eastern shores
developed by permeating in successive waves of immigration New York,
northern Ohio, Indiana and Illinois, and Michigan and Wisconsin; thence
the lines became divergent, broadening through the trans-Mississippi
plains until, emerging on the Pacific, they embrace the entire coast,
from Seattle to Los Angeles. While the original spirit has been greatly
tempered in the course of this progress, its distinctive character
still remains--a pale tinge of Puritanism, as it were, which colors
every expression of life, and which can be traced on the sociological
map of the United States by a narrowing belt of ever-deepening hue,
back to its undiluted source: the all-pervasive theocracy of colonial
New England.
From the time when this religious influence began to reach beyond its
original boundaries, it met and amalgamated, in a social though not
sectarian sense, with Presbyterianism, a kindred spirit which, somewhat
later than Puritanism, came to America, largely from Scotland, and
took root in almost all the colonies from New York to the Carolinas.
The 'blue laws' of Connecticut, so repressive of the graces of life,
of love and laughter and music, found their counterpart in the
Westminster Catechism, wherein the 'moral law,' that is, the regulation
of social relations, is said to be 'summarily comprehended in the Ten
Commandments,' the first four of which are specifically religious.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account