The art of music, Vol. 04 (of 14) : $b Music in America
History
The art of music, Vol. 04 (of 14) : $b Music in America
Music -- History and criticism; Musicians
The discussion of the negroes' claim to the title 'American' would
be perhaps out of place at this late date, and particularly in this
place, were it not that a considerable class of American citizens has
denied to them not only social equality but equal consideration and
opportunity as a native citizen of the country. The preponderance of
European blood in the nation hardly justifies this any more than it
would justify the exclusion of the large number of Americans that are
of anciently oriental origin. In contrast with this the name 'American'
is never denied to the Indian, but priority of settlement can hardly
be argued in his favor, for by such reasoning the negro has superior
claims over some of the 'elect' of the white elements among Americans.
Negroes were sold into slavery in Virginia before the landing of
the Pilgrims in 1790. The first census of the United States showed
759,208 negroes, and to-day they constitute nearly 13 per cent. of the
entire population. Their intellectual powers have been amply proved
by the achievements of individual members of the race, in science, in
education, and in the arts. It is hardly necessary to name such men as
Booker T. Washington, Paul Lawrence Dunbar, and Dr. Burghardt DuBois
in support of this. Mr. Krehbiel, however, does well in quoting the
last-named of these in proving the present contention:
'Your country? How came it yours? Before the Pilgrims landed we were
here. Here we have brought three gifts and mingled them with yours--a
gift of story and song, soft stirring melody in an ill-harmonized
and unmelodious land; the gift of sweat and brawn to beat back the
wilderness, conquer the soil and lay the foundations of this vast
economic empire two hundred years earlier than your weak hands could
have done it; the third a gift of the Spirit. Around us the history of
the land has centred for thrice a hundred years; out of the nation's
heart we have called all that was best, to throttle and subdue what was
worst; fire and blood, prayer and sacrifice have billowed over this
people, and they have found peace only in the altars of the God of
Right....'
The negroes' songs are sung in the language of the country--or a
dialect of it; and, while they do not voice the sentiments of the
entire population--no song in a country so heterogeneous could do
that--they are American songs by the same right that the peasant songs
of Russia are Russian or the song of any other class of Americans would
be American.
Public-domain text, read in full here on John Shaqi.
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