The art of music, Vol. 04 (of 14) : $b Music in America
History
The art of music, Vol. 04 (of 14) : $b Music in America
Music -- History and criticism; Musicians
'... The "shout" takes place on Sundays, or on "praise" nights
throughout the week, and either in the praise-house or in some cabin
in which a regular religious meeting has been held. Very likely more
than half the population of a plantation is gathered together. Let
it be the evening, and a light fire burns red before the door of the
house and on the hearth. For sometime one hears, though at a good
distance, a vociferous exhortation or prayer of the presiding elder or
of the brother who has a gift that way and is not "on the back seat"--a
phrase the interpretation of which is "under the censure of the church
authorities for bad behavior"--and at regular intervals one hears the
elder "deaconing" a hymn-book hymn, which is sung two lines at a time
and whose wailing cadences, borne on the night air, are indescribably
melancholy.
'But the benches are pushed back to the wall when the formal meeting
is over, and old and young, men and women, sprucely dressed young
men, grotesquely half-clad field hands--the women generally with gay
handkerchiefs twisted about their heads and with short skirts--boys
with tattered shirts and men's trousers, young girls barefooted, all
stand up in the middle of the floor, and when the "sperichil" is struck
up begin first walking and by and by shuffling around, one after the
other, in a ring. The foot is hardly taken from the floor, and the
progression is mainly due to a jerking, twitching motion which agitates
the entire shouter and soon brings out streams of perspiration.
Sometimes they dance silently, sometimes as they shuffle they sing
the chorus of the spiritual, and sometimes the song itself is sung by
the dancers. But more frequently a band, composed of some of the best
singers and of tired shouters, stand at the side of the room to "base"
the others, singing the body of the song and clapping their hands
together on the knees. Song and dance are alike extremely energetic,
and often, when the shout lasts into the middle of the night, the
monotonous thud, thud of the feet prevents sleep within half a mile of
the praise house.'
Public-domain text, read in full here on John Shaqi.
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