The art of music, Vol. 04 (of 14) : $b Music in America
History
The art of music, Vol. 04 (of 14) : $b Music in America
Music -- History and criticism; Musicians
Nevin was born near Pittsburgh in 1862. He had the advantage of early
musical studies at home and abroad during a European sojourn of his
family and he commenced his professional studies in 1881 under B. J.
Lang and Stephen Emery in Boston. In 1884 he went to Berlin, where he
worked diligently at his piano studies under Karl Klindworth. Returning
home, two years later, he settled at Boston and taught, concertized,
and followed more zealously his increasing inclination for composition.
In 1891, after the publication of some of the songs and piano pieces
which have since become so generally popular, Nevin's fame rapidly
increased and he was able to indulge his taste for the roving life
which he followed during the last ten years of his life, living at
Paris, Berlin, Florence, Algiers, and elsewhere, with intervening
visits to America, where he was heard in concerts of his own works. In
the fall of 1900 Nevin settled at New Haven, where he died suddenly in
February, 1901.
The list of Nevin's works comprises almost exclusively short songs
and piano compositions. Exceptions to this are several choruses, two
pieces for violin and piano, and a posthumously published cantata. That
Nevin had larger ambitions in his later life is shown from certain of
his letters and the sketches of larger works which he left unfinished.
But as the result of his early habits of composition, of the too easy
flow of his melody, and perhaps also of his too early successes he
was kept within the confines of those miniature and delicate forms
which he made his own domain. The characteristics of Nevin's music,
as displayed in these works, are, first, a melodic sense which,
though lacking in variety because of decided mannerisms that control
it, is full of graceful charm and genuine lyrical quality; second, a
harmonic sense ever more limited in its scope but of natural and moving
expressiveness. Into the naïve fabric of this the composer contrived
to instil a flavor which, if not decidedly original, had a strongly
individual feeling.
Public-domain text, read in full here on John Shaqi.
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