The art of music, Vol. 04 (of 14) : $b Music in America
History
The art of music, Vol. 04 (of 14) : $b Music in America
Music -- History and criticism; Musicians
The 'Aladdin' suite has perhaps been less infrequently heard than
Stillman-Kelley's other orchestral works. In this work the composer
availed himself of certain Chinese themes, of which he made a
characteristically thorough study while in San Francisco (and which
resulted also in his widely known song 'The Lady Picking Mulberries').
This suite is in the composer's most genial vein and is a _tour de
force_ of piquant orchestration. Its movements depict 'The Wedding
of Aladdin and the Princess,' 'A Serenade in the Royal Pear Garden,'
'Flight of the Genie with the Palace,' and 'The Return and Feast of the
Lanterns.'
Stillman-Kelley's greatest recent offering is his 'New England'
symphony, in B minor, produced by the Litchfield County Choral Union,
at Norfolk, Conn., June 3, 1913. In it the composer has sought to
embody 'something of the experiences, ambitions, and aspirations of
our Puritan ancestors.' It was greeted as a work of large importance,
needing further hearing for its full appreciation. The composer
has completed sketches of a 'Gulliver' symphony and an 'Alice in
Wonderland' suite, the subjects of both of which attest his love of the
fantastic and call attention to his equal devotion to the element of
humor. There is an orchestral score of 'Israfel.'
In chamber music form he has produced a quintet for strings and piano
which has had much success on both sides of the Atlantic, and a less
well-known string quartet in variation form. There are also a few early
songs and piano compositions. Mention should be made of the composer's
very successful and famous music for the dramatic presentation of 'Ben
Hur,' and the exquisite 'Song of Iras' taken from it.
Born in Wisconsin, Mr. Stillman-Kelley has lived successively in
Stuttgart, San Francisco, New York, New Haven (where he occupied the
chair of music at Yale University during a year's absence of Horatio
Parker), and Berlin. He now (1914) holds a 'composer's fellowship'
at Western College, Oxford, Ohio, giving lectures there and at the
Cincinnati conservatory. His chief teacher in theory was Seifriz, in
Stuttgart.
III
Public-domain text, read in full here on John Shaqi.
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