The art of music, Vol. 05 (of 14) : $b The voice and vocal music
History
The art of music, Vol. 05 (of 14) : $b The voice and vocal music
Music -- History and criticism; Musicians
Heine’s genius, like that of Rückert, Platen, Chamisso, Kerner,
Eichendorff, and other contemporaries mentioned in the preceding
chapter, always tended a bit toward the morbid. These poets partook of
the common malady of over-individualism. ‘It is not good for man to
be alone.’ The commonest and truest of truths is that man is a social
animal. It is impossible for him to conduct his life except in company
with others. The stories of hermits who have gone mad with loneliness
have an excellent foundation in fact. And just as man seems meant to
act socially, so he seems obliged to feel socially. It is a spiritual
necessity to think a good deal of others. ‘Whoso saveth his soul shall
lose it.’ The man who seeks to discover all the treasures within him
usually ends by finding nothing there. And when it is the literary
fashion (as it was in Schumann’s time) to look exclusively within
one’s own soul, the age ends in helplessness with a moan of despair.
This condition is implicit in the poetry of Heine. It is, as we have
said, never the poetry of a hero. It can console us in our leisure; it
can never inspire us in our labor. Yet the fault is not so serious as
it may sound. Few people have contracted serious spiritual diseases
from Heine’s poetry. The very simplicity and brevity of it prevent the
reader from taking it too seriously. Read before the fire in the still
hours of the evening Heine cannot harm the tenderest soul of a child
of twelve. He was too genuine a humanist, as well as too excellent
a literary man, to be utterly removed from health. He is a far more
harmless amusement than Byron, for instance, just as he was a far
greater poet than Byron. He was, of course, taken much more seriously
in his day than we can take him in ours. Schumann in particular shows
that he regarded his poet as a text for the highest tragedy and passion
of which he as musician was capable. Yet even in his own time Heine’s
influence must have been essentially healthy. For he had in abundance
two qualities that always tend to keep men in the path of health,
simplicity and humor. The mind that can think simply is not wholly
diseased. And we need never fear the pessimist who can laugh at his own
despair.
I
Public-domain text, read in full here on John Shaqi.
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